Showing 1377–1392 of 1858 results
-
-
Oiticica in London
R300Exhibition Catalogue about the influential Brazilian artist Hélio Oiticica, shown at TATE Gallery, London, UK, in 2007.
-
Olafur Eliasson: In Real Life exhibition book
R450This lavishly illustrated paperback with exposed spine detail accompanies the first UK retrospective of Olafur Eliasson’s work.
-
ONAIR: The Gallery Premises at The Johannesburg Civic Theatre
R100book about the re-establishment of the gallery premises at the then-named Johannesburg Civic Theatre by the Trinity Session
-
-
Open Source Architecture
R200Open Source Architecture is a visionary manifesto for the architecture of tomorrow that argues for a paradigm shift from architecture as a means of supporting the ego-fueled grand visions of “starchitects” to a collaborative, inclusive, network-driven process inspired by twenty-first-century trends such as crowd-sourcing, open access, and mass customization.
-
Oscar Niemeyer: The Serpentine Gallery Pavilion 2003
R530The Serpentine Gallery Pavilion 2003, designed by seminal Brazilian architect Oscar Niemeyer, will be his first completed structure in the United Kingdom. Sited on the Gallery’s lawn from June 20th to September 14th of that year, it will offer visitors an opportunity to experience a space designed by one of the founding figures of modern architecture.
-
Our Lady of Benoni
R140Through five colourful characters, three of them living out their very individual lives in an unnamed public park in Johannesburg, Zakes Mda explores the plight of women and children in a patriarchal and male-dominated twenty-first century world.
-
Out of the Wreckage
R100Dream parables and flash fiction exploring timeless contradictions and the nature of reality.
Johannesburg-based author Allan Kolski Horwitz is better known as a poet and an activist involved with several worker organizations, and here he unites these passions.
-
Outsider Art :Spontaneous Alternatives
R200In this indispensable book Colin Rhodes surveys the history and reception of Outsider Art—first championed by Dubuffet and the Surrealists, now appreciated by a wide public—while providing insight into the achievements of both major figures and newly discovered artists.
-
Owusu-Ankomah – Movement to the Microcron
R400Owusu-Ankomah’s charged paintings on canvas depict an alternate world wherein monumental human figures – his core motif – are shown moving within an ocean of signs that surround, support and, in fact, define them. The way in which these figures coexist and interact with various symbolic sets has developed through distinct phases over time, reflecting Owusu-Ankomah’s own journey of spiritual discovery.
-
Pablo Picasso (Masters of Art)
R250What did Spain look like when Picasso was born? What kind of community did he grow up in? What was his studio like? Who were the people who had the most influence on his art? The answers to these and other questions help bring into focus the Spanish artist’s brilliant career and his influence on twentieth-century art.
-
Paint with the Impressionists
R200Paint with the Impressionists – A Step-by-step Guide to Their Methods and Materials for Today’s Artists
-
Paint with the Watercolour Masters
R200This book enables any amateur artist to explore confidently the most popular painting medium the world has ever known: watercolour.
-
Out of stock
Painting People
R450After a century in which the range of art materials expanded to include film and photography, performance, found objects and concepts, the spotlight has again swung back to painting. A new generation of artists is relishing the solitary, slow, subtle processes involved in painting people, preferring paint’s unique ability to distil a lifetime of events to photography’s glimpse of a frozen moment.
-
Paris – New York – Shanghai : A book about the past, present, and (possibly) future capital of the world
World Dutch conceptual artist Hans Eijkelboom’s work is very much in line with the deadpan, seemingly mechanistic note-taking of Ed Ruscha and Hans-Peter Feldman. In Paris*New York*Shanghai, Eijkelboom creates a clever and witty comparative study of three major contemporary metropolises, each selected for having been (or promising to be) the cultural capital of its time-Paris during the nineteenth century; New York, the twentieth; and Shanghai, the twenty-first.
