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Published in connection with an exhibition at Photo Elysée and in the centenary year of the publication of André Breton’s Surrealist Manifesto, this book presents more than 150 of Man Ray’s portraits, primarily from the 1920s and 30s.
Man Ray (1890-1976), a pioneer of the Dada movement and a central protagonist of surrealism, is best known for his innovative photographs, but his writings are also remarkable expressions of his identity as an artist. The first extensive collection of Man Ray’s texts about art in English, Man Ray: Writings on Art illuminates the diverse ways in which the artist used words to express his aesthetic, philosophical and political ideas. Richly illustrated and drawing on a broad range of materials, including artists’ books, essays, interviews, letters and visual poems, this collection presents the artist’s most significant writings about art, many of them never previously published. Offering a long overdue vision of Man Ray as someone who used words both as a creative medium and as a means of articulating ideas about the nature and value of art, it provides a powerful insight for students and scholars of modern art, as well as for artists, photographers and all those who count themselves as Man Ray fans.
This beautiful book examines the influence of the artist’s travels on his oeuvre. It presents Rothko’s engagement with important classical and Old Master works, highlighting older techniques and ideas that the artist may have sought to emulate.
Originally published in 2010 on the occasion of Against the Wall, Dumas’s first solo presentation at David Zwirner in New York, this much sought-after exhibition catalogue—which sold out shortly after publication—has been reprinted to coincide with the artist’s 2014–2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.
Marlene Dumas’s works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery.
An imaginary encounter between historical novelist Mary Renault and her hero Alexander the Great, each of them with the same sex life partner , Julie Mullard and Hephais-tion. Renault and Mullard lived in seaside suburb of Camps Bay in Cape Town.
From the mighty halls of ancient Alexandria to the coffered ceilings of the Morgan Library in New York, human beings have had a long, enraptured relationship with libraries. Like no other concept and like no other space, the collection of knowledge, learning, and imagination offers a sense of infinite possibility. It’s the unrivaled realm of discovery, where every faded manuscript or mighty clothbound tome might reveal a provocative new idea, a far-flung fantasy, an ancient belief, a religious conviction, or a whole new way of being in the world.
This publication focuses on a number of works that have recently received conservation treatment at the Tate Gallery in London. They were selected for their technical, as well as their art historical importance, and both these aspects are discussed.
Meet the Artist: Peter Blake is packed with inspiring activities for budding artists. Children can create their own bold pop art imagery using collage and different paintbrush techniques inspired by Peter Blake—an English pop artist best known for co-creating the album-cover design for the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band.
Out of stockHigh Fashion Crime Scenes, presents her breathtakingly beautiful works based on vintage crime scene images, first-hand accounts, and documents Pullen mined from the files of the lapd.
Mermaids are blessed with one tail or two, are as happy in freshwater as salt, and boast an ancestry that stretches from the classical world to the present, pre-dating Homer’s sirens and which will outlive the blood-thirsty nymphs of Pirates of the Caribbean. The mermaid expresses our reliance on the sea for food and trade and draws on our fear and fascination of the unknown depths.
My essay comprises family portraits, landscapes and still lifes. This was largely determined by the equipment I was using at the time: a tripod-mounted, large-format camera.
Out of stockDip below the ocean’s surface and you are soon confronted by forms of life that could not seem more foreign to our own: sea sponges, soft corals and flower-like worms, whose rooted bodies and intricate geometry are more reminiscent of plant life than anything recognisably animal. Yet these creatures are our cousins. As fellow members of the animal kingdom – the Metazoa – they can teach us about the evolutionary origins of not only our bodies, but also our minds.
Central to all of Michelangelo’s artistic endeavors were his drawings, in which his creative ideas originated, evolved, and were perfected. This handsome book takes a fascinating tour of the artist’s drawings by looking at highlights––ranging from unfinished sketches to delicate, refined studies––all of which are located in the exceptional collection of the British Museum. Included are studies of some of Michelangelo’s most famous works such as the Sistine Chapel ceiling and the Last Judgement.
The first properly posthumous retrospective on the artist, this paperback exhibition book highlights the significance of Mike Kelley’s influential four-decade career on the development of art since the 1970s.
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