Nala Sings (IsiZulu)
R130Singing was Nala’s favourite thing to do. Sadly, though, she was not allowed to sing while she was beside the river.
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Singing was Nala’s favourite thing to do. Sadly, though, she was not allowed to sing while she was beside the river.
Take this journey with multi-award-winning dancer and choreographer Gregory Maqoma as he reminds us that our dreams can take you on extraordinary adventures.
Ranging from resistance to education, contemporary artists are increasingly raising opposition to economic pressure, radical social change and rapidly changing identities. How does the local contemporary art scene respond to the worldwide dynamics of globalisation? Which social, political and cultural positions do individual artists adopt? This volume presents views of some of South Africa’s most prominent artists, writers, choreographers, photographers and musicians. Produced in direct dialogue with journalists and cultural scientists from the respective art scenes, developments within today’s cultural flashpoints are illuminated in interviews, portraits and essays.
Throughout, the focus is on the artists’ individual perspectives, not theoretical or historical concepts, with their specific approaches and different forms of expression they give insight into the pressing issues of South African society, showing how political art is positioned in the post-apartheid era.
Read how Shudu overcomes her sadness and her challenges, and grows into a girl, and then an adult, who has learned to love herself!
International best-selling children’s classic reprinted after 53 years. Deep in the sea there lives a happy school of little fish. Their watery world is full of wonders, but there is also danger, and the little fish are afraid to come out of hiding … until Swimmy comes along. Swimmy shows his friends how – with ingenuity and team work – they can overcome any danger. With its graceful text and stunning artwork, this Caldecott Honor Book deserves a place on every child’s shelf.
Uncertain curature is a volume of bold and original explorations of the archive – the past, our material inheritance – and the ways it is displayed, interpreted and given meaning in the postcolonial world of South Africa. This operation on the past – what the authors have called ‘curature’ – can be seen as the postcolony’s way of rescripting its own history, which is both a trauma to be dealt with and a resource for the future.
Meet Wanda with her beautiful head of hair. She is brave and strong, but she’s unhappy because of the endless teasing by the boys at school.
Bold and zesty, Wanda The Brave is a celebration of girl power, and a reminder that courage and friendship is a mighty force!
The new year is synonymous with resolutions, good intentions, and dreams of a successful year ahead.
Available in English, Sesotho, isiZulu, isiXhosa
It’s an extraordinary day on Pebble Island for three frogs when one of them discovers a beautiful white egg. They’ve never seen a chicken egg before, but they’re sure that’s what this must be. So when the egg hatches and out crawls a long green, scaly creature, they naturally call it …a chicken !
Social commentary and political satire are presented through critically acclaimed graphics and confrontational illustrations in this brilliant and outrageous collection.
Bitterkomix 16 sees the celebration of twenty-one years of artistic genius. In this latest collection, Anton Kannemeyer – aka Joe Dog – unflinchingly explores the vigorous debates around race that enliven and shadow daily life in South Africa.
Let children jump into the lively and flourishing local art scene, see it in full colour, learn about the diverse paths of the artists and their fascinating artworks. In time your little wonder will soon have found their own South African art hero to look up to!
Winter is coming, and all the mice are gathering food . . . except for Frederick. But when the days grow short and the snow begins to fall, it’s Frederick’s stories that warm the hearts and spirits of his fellow field mice.
Volume 1: Protest and Hope 1882–1934 consists of ninety-nine primary source documents, accompanied by a text that sets the documents in historical context.
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