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Over a hundred years on from the riotous inception of Dada at the Cabaret Voltaire in Zurich in 1916, art historian Michael White provides a new introduction and commentary to a book that has become a legend in its own right, influencing a generation of performers and artists since its first publication in 1965 – David Bowie even quoted from Dada: Art and Anti-Art in his Scary Monsters album.
Out of stockIncluding 350 color plates, Fantastic Women showcases their paintings, drawings, photography, films, and other artworks that create a powerful case for the recognition and celebration of the surreal and fanciful work of the women artists of the avant-garde.
Following the austere and traumatic years of World War II, surrealists Lee Miller and Roland Penrose made their home at Farleys in the Sussex countryside. Penrose, a painter, author, and collector, and Miller, a photographer and war correspondent, moved to Farleys not to settle down, but to create, entertain, and inspire.
Shocking, witty and always entertaining, Morris’s tales illuminate the striking variation in approaches to the Surrealist philosophy, both in the artists’ work and in their lives.
A major retrospective of the seven-decade career of Dorothea Tanning, the multifaceted artist who pushed the boundaries of surrealist art
American artist Dorothea Tanning (1910–2012) redrew the boundaries of surrealism. She first encountered the movement in New York in the 1930s, and in the 1940s, she married fellow painter Max Ernst and moved to the Arizona desert.
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