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R300While a South African audience might be more familiar with Breytenbach as a writer, he initially studied at the Michaelis School of Art. Breytenbach held his first solo exhibition of paintings in 1964, the same year he published his first volume of poems (Die Ysterkoei Moet Sweet) and his first book of prose (Katastrofes). It took place at Galerie Espace in Amsterdam, where Breytenbach shared the roster with Karel Appel and Francesco Clemente, among others.
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R300This catalogue is published on the occasion of Dada Khanyisa’s second exhibition with Stevenson, Good Feelings, in which Khanyisa fractures their narrative process, creating solipsistic scenes set against the backdrop of communal living.
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R450Monograph to accompany painter Georgina Gratrix’s exhibition, The Reunion.
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R360This catalogue accompanies Steven Cohen’s first exhibition at Stevenson Johannesburg – an intense meditation on loss, grief and absence, following the death of his partner and artistic collaborator, the dancer Elu.
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R250The exhibition opened on the eve of South Africa’s Covid-19 lockdown, and the catalogue essay by Mwenya B Kabwe asks what the Gymnasium series gives us ’at a time like this, a time of such massive upheaval’. Interweaving a fabular tale with her insights into Nkosi’s lens on this moment, Kabwe write: ’Nkosi tells us that when we are talking about race, we are never just talking about race. When we are talking about infectious diseases, we are actually talking about the biological expression of social inequality.’ She continues:
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R250Published in 2019, When the moon waxes red: Negotiating Subjective Terrain as an ‘Inside-Outsider’, an ‘Outside-Insider’ accompanies the exhibition of the same name.
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R2300The highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, Somnyama Ngonyama, Hail the Dark Lioness
