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This book is the first monograph on Hubert Dalwood (1924-76), one of the most distinctive and sensitive post-war British sculptors, and the first complete catalogue of Dalwood’s sculpture exploring the themes, techniques and critical contexts of his work.
In a brilliant exposition of Kentridge’s output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art.
An exhibition catalogue of major works spanning the illustrious 40-year career of South Africa’s pre-eminent contemporary sculptor, Andries Botha, entitled Being Here (and there).
Over the fall of 2010, visitors to the serene and stately grounds of Kensington Gardens in London encountered four monumental stainless-steel sculptures by Anish Kapoor, carefully situated to reflect and distort in their mirrored surfaces the weather, the wildlife and the changing colors of the surrounding foliage. Visible from afar, Kapoor’s sculptures interact with the…
Sandpipers, Lizards & History is Henning’s first major show in London, and presents over a dozen new paintings including abstract interiors, pin-up girls, a naked self-portrait, and a beach scene. In Sandpipers, Lizards and History the top-floor of the gallery has been transformed into a lounge.
One of the most celebrated and talked about artists of his generation, Turner Prize-winner Antony Gormley (b. 1950) generates lively debate and critical acclaim. His large-scale, iconic projects such as Angel of the North at Gateshead, the 100 cast-iron sculptures he placed on a British beach for Another Place, and the hundreds of small terracotta figurines he asked the public to create for Field have cemented his place among today’s leading contemporary artists.
Out of stockOne of the most exciting sculptors of our time, Antony Gormley is the creator of breathtaking public installations. Even casual fans will recognize Event Horizon, a collection of thirty-one life-size casts of the artist’s body that have been installed atop buildings in places like London’s South Bank and New York’s Madison Square, and Field, formed by tens of thousands of standing clay figurines overflowing across a room’s floor.
Amongst a host of exhibitions and books surveying ‘New Art from China’, this title stands out as a uniquely focused investigation of Chinese sculpture and installation. Exploring the work of a small number of artists, Liang Shaoji, Wang Jianwei, Xu Zhen/MadeIn Company, Gu Dexin, Sun Yuan & Peng Yu, Chen Zhen, Yingmei Duan and illustrating their most powerful and engaging works, this book traces a very particular seam of performative Chinese art from the late 1980s to the present.
One of a series exploring the lives and work of major artists associated with St Ives, this is a study of Barbara Hepworth and her work as a sculptor, which spanned five decades. Her art is discussed in the light of her contemporaries, including Henry Moore and Ben Nicholson, her second husband.
Barbara Hepworth’s work and ideas are illuminated in her own lucid and eloquent words in this first collection of her writings and conversations. The collection makes available much that is out of print and inaccessible, and includes a significant number of unpublished texts. It is a surprisingly large body of work, and it spans almost the whole of Hepworth’s artistic life. Her gift for language and desire to communicate to a public are evident throughout. Alongside the writings are Hepworth’s lectures and speeches, a selection of interviews and conversations with writers and journalists, and radio and television broadcasts
Documenting artist Brett Murray’s career over the past 30 years, this book boasts both powerful imagery and reflective texts from his 80s cultural/struggle work, through his career to The Spear—the natural outcome of his art and reflections on injustices past and present.
“I think an artist must be a master of his craft, he must know it so well, he must not have to worry about the craft side of his work, and is free t express his sensations, ideas or emotions.” – Caroline van der Merwe
One of the best-known American sculptors of the modern period, David Smith (1906–1965) was a pioneer of abstract sculpture. He revolutionized the possibilities of metal sculpture by introducing the industrial process of welding, enabling him to create the most extraordinarily balanced compositions – using metal to ‘draw in space’. Predominantly known as a sculptor, the book also sheds light on his prolific practice of drawing, sketching, writing and photographing his sculptures.
John Martin Gallery was pleased to present South African artist Deborah Bell’s exhibition A Far Country. This was Deborah’s second UK exhibition which brings together recent sculptures and paintings from the last four years including her major series based on the song, See Line Woman. The show also provided an opportunity to exhibit two of…
Contains interviews with and photographs of the 25 people who knew or worked with Roth during his time spent in Chicago, Providence, New York, Philadelphia and Los Angeles. Many of the works Roth created during that period are illustrated here in full colour.
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