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Over a hundred years on from the riotous inception of Dada at the Cabaret Voltaire in Zurich in 1916, art historian Michael White provides a new introduction and commentary to a book that has become a legend in its own right, influencing a generation of performers and artists since its first publication in 1965 – David Bowie even quoted from Dada: Art and Anti-Art in his Scary Monsters album.
First published in 1930 in a limited edition of only 500, Disavowals is recognised as Claude Cahun’s key work and a lost masterpiece of Surrealist literature. It is now made available to an English-speaking readership for the first time.
This book presents over 130 works charting the artist’s relationship with photography, and his investigations into what images reveal.
Published in connection with an exhibition at Photo Elysée and in the centenary year of the publication of André Breton’s Surrealist Manifesto, this book presents more than 150 of Man Ray’s portraits, primarily from the 1920s and 30s.
New Surrealism: The Uncanny in Contemporary Painting by Robert Zeller offers a sweeping exposition of both historical Surrealism and its legacy in the world of contemporary art.
Extensively illustrated and featuring Duchamp’s own writings, The Duchamp Book provides a much needed, accessible introduction to the artist.
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