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Rembrandt van Rijn is the quintessential Old Master. His intimately observed, vivid and profoundly atmospheric works are what many museum-goers consider traditional painting ought to be. But in his own lifetime Rembrandt was not always so well regarded
Vincent van Gogh used art to express his intensely emotional response to the world around him. Enraptured by the beauty of nature and tormented by the sorrows of human existence, he produced in his tragically short life some of the most powerfully expressive paintings ever seen.
Tiepolo is a brilliant example of the specifically pictorial intelligence. This book is both a study of his art and an argument for fuller recognition of the peculiarities of the painters’ representational medium. Svetlana Alpers and Michael Baxandall locate distinctive modes of Tiepolo’s representation of the world and human action; follow his process of invention from first pen drawings through small oil-sketches to great frescoes; and analyze his best and biggest painting, the Four Continents, in the Stairway Hall of the Prince-Bishop’s Residence at Wurzburg, which is illustrated with photographs specially taken for the book.
Throughout his career, Vincent van Gogh attempted the paradoxical task of representing night through color and tonality. His procedure followed the trend set by the Impressionists of “translating” visual light effects with various color combinations, yet this goal was grafted onto his desire to interweave the visual and the metaphorical in order to produce fresh and original works of art.
exhibition catalogue for Jo Smail’s solo show at Goya Contemporary, Baltimore, USA, in 2009
Tate British Artists Series: Introduction to William Blake.
More than a century-and-a-half after his death, William Blake remains a figure. Equally gifted as poet and painter; he produced work as arresting for its beauty as for its strangeness.
Although Pieter Bruegel’s pictures have been celebrated throughout the past four hundred years, the artist himself remains a shadowy and misunderstood figure.
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