Showing 65–80 of 103 results
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R150In the majority of the works on show, Francis has moved from a landscape scale to a microscopic one. Many of the canvases show objects which are readily identifiable as sperm, spores, ovules or cells. The painting is often almost matter of fact, if not actually photographic. In some cases, the objects are presented on…
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R270Displaying the beauty and skill of Chinese ink paintings through a selection of highlights from the British Museum’s collection, “Modern Chinese Ink Paintings” features hanging scrolls, hand scrolls, large-scale paintings and album leaves to explore the innovative contributions of individual masters from the twentieth and twenty-first centuries.
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R30Hot off the press new release zine, created for the exhibition Movement and its limitation within an environment by artist Quinten Edward Williams. To view the exhibition, click here.
Movement and its limitation within an environment is a visual-spatial presentation which responds to the vibrancy of partaking in an assemblage, and to the ambivalence of living in a borderland. The sketching process employed in the making of the artworks occurs through an interface between painting, sculpting and printing.
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R80Cubism, perhaps the seminal movement for the arts of the twentieth century, was also one of the most complex. Divided between the annual public exhibition and the emerging network of private galleries, between French and immigrant artists, it was
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R80The term `Expressionist’ was initially applied to French modern painting displayed in a Berlin Secession exhibition of 1911. By the time of the First World War; the broader concept of `Expressionism’ permeated German metropolitan culture at many levels. Though lacking stylistic cohesion, the movement was united by a rejection of Impressionism and a search for an inner, essential reality behind the external world of appearances.
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Edvard Munch (1863-1944) is the only Scandinavian painter of modern times to have achieved a world reputation. A tragic childhood – his mother died when he was five and a sister when he was thirteen – wounded him deeply, and much of his early work expresses this in its agonized pessimism.
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R500Published to accompany Naum Gabo’s exhibition of the same title, Constructions For Real Life marks the centenary of the Realistic Manifesto 1920, a set of pioneering artistic principles launched in Moscow by Gabo and his brother Antoine Pevsner. The statement declared that authentically modern art should engage with and reflect the modern age.
Drawing primarily on the complementary collections of Gabo’s work held at Tate and the Berlinische Galerie in Berlin, Germany, the exhibition focuses on key themes in his work.
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R200Paint with the Impressionists – A Step-by-step Guide to Their Methods and Materials for Today’s Artists
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R200This book enables any amateur artist to explore confidently the most popular painting medium the world has ever known: watercolour.
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R450After a century in which the range of art materials expanded to include film and photography, performance, found objects and concepts, the spotlight has again swung back to painting. A new generation of artists is relishing the solitary, slow, subtle processes involved in painting people, preferring paint’s unique ability to distil a lifetime of events to photography’s glimpse of a frozen moment.
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R400The shifting confluences of poetry and painting elements of narrative, music, metaphor or symbol, as well as those of envisioning and evoking rather than depicting arrive at visual concerns at once bodily, topographical and architectural throughout the work of Peter Sacks.
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R170‘Lively, intelligent, free of cant and well written: a good introduction to a difficult subject’ The Burlington Magazine
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R660The first comprehensive survey of Rembrandt in years concentrates on his talent for visual storytelling, via paintings, prints, and drawings. Rembrandt changed the course of art history not only as a painter but also as a draftsman and printmaker. His output of some 300 etchings and drypoints represents a lifelong commitment to printmaking unequaled by…
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R400Expert Nicholas Tromans provides incredible insight on this great artist’s life – to listen to a few of them, click here.
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R175This book is the first to examine critically Palmer’s career, and to present his work within the artistic and cultural context of his times.
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R400Associated at various times with Dada, Constructivism and Surrealism, Schwitters produced paintings, collages, sound pieces, sculpture and installation works, as well as journalism, criticism, poetry and short stories. Forced to flee Germany in 1936, Schwitters took refuge first in Norway and then, after the German invasion of Norway, in Britain, where he was interned initially…