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A fascination with the primitive lies at the heart of some of the most influential developments in Western art produced between 1890 and 1950 – a time that witnessed both the heroic period of modern art and the decline of Western colonial power. This work is an overview of this period.
Adam Habib, the most prominent and outspoken university official through the recent student protests, takes a characteristically frank view of the past three years on South Africa’s campuses in this new book. This book is both an attempt at a historical account and a thoughtful reflection on the issues the protests kicked up, from the perspective not only of a high-ranking member of university management, but also Habib as political scientist with a background as an activist during the struggle against apartheid.
In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops.
Capus takes us on an exploratory journey via the loss of a Spanish vessel laden with gold and jewels in the South Seas, the burial of treasure, an ancient map, and a long and dangerous voyage across the Pacific, to prove that Robert Louis Stevenson’s “treasure island” actually exists; and that it exists in a place quite different from where hordes of treasure-hunters have been seeking it for generations.
Painstakingly handwritten over a three year period, Spring Will Come is the life story of William Zulu, highly acclaimed for his evocative art-works. Having contracted spinal TB as a baby, William underwent misplaced corrective surgery to his spine which left him paralyzed and permanently wheelchair bound.
A major art historian reflects on a great tradition of European painting.
“The Vexations of Art is an engrossing, passionate attempt to re-engage with painting as a mode of thought at a time when ‘it is not clear in what form the resource of painting—for surely painting has been a singular resource of the greater European culture.
Francis Bacon was one of the giants dominating the artistic landscape of the mid-twentieth century, and served as the inspiration and launching point for much of the figural and abstract art that came after him.
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