Showing 33–38 of 38 results
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R100The catalogue, “Be Careful In The Working Radius, was printed alongside the namesake exhibition. This exhibition is the culmination of the most recent work Stephen Hobbs has been making at DKW.
Early in his career, Stephen Hobbs recognised the need to develop his practice across the disciplines of artistic production, curatorial practice and cultural management. Through committed urban investigation and experimentation, focused primarily on Johannesburg since 1994, he has sustained a dialogue with urban space through video, installation, curated projects, photography and sculpture.
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R250The DaimlerChrysler Award for South African Architecture, won by Heinrich Wolff in 2007, is the seventh Arts Award bestowed by DaimlerChrysler. This publication, issued in connection with an exhibition held in 2007 at DaimlerChrysler Contemporary, Haus Huth, Berlin, and at institutions in Cape Town, Johannesburg and Durban, features the works of the young architects nominated for the award.
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R600Elton John’s truly remarkable collection of international modernist photography stems from personal passion: since 1991, he has amassed more than two thousand photographs, which include key figures from Europe and America alongside many of the foremost photographers from Japan, Eastern Europe and Latin America. This book draws together the finest works from 1920 to 1950, a period that is widely considered to be photography’s ‘coming of age’, a time of great experimentation and innovation when artists pushed the boundaries of the medium.
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R100Sketches shows Polaroids made in Africa between 2002 and 2010. This book could be an explanation or a introducion to the previous Flamboya book and project but in fact Sketches is a small and magic book on its own, showing the beautiful universe of Viviane Sassen’s photography.
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R1750The Refusal of Time combines music, readings, dance, chants, videos, drawings and performance and brings Kentridge’s questioning of the notion of time to the stage. Echoing this theatrical performance that is constantly evolving, the book is a mise en abyme: it presents highlights from the show, drawings that were especially produced by the artist for the book, many sketches and study notebooks, all of the texts read during the performance, as well as interviews with Peter Galison and images from the workshop.
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R250Wim Botha won the Standard Bank Young Artist award for Visual Art 2005. This wonderfully produced catalogue documents the eight years of work leading up to that achievement.
