Showing 17–32 of 33 results
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R300In My View is a collection of reflections by 78 contemporary artists in which each artist reveals the influence and inspiration he or she has found in a particular artwork or artist. Among the artists are John Baldessari, Daniel Buren, Chuck Close, Michael Craig-Martin, Tacita Dean, Marlene Dumas, Antony Gormley, Susan Hiller, Thomas Hirschhorn, Candida Höfer, Vik Muniz, Jorge Pardo, Raymond Pettibon, Ed Ruscha, Bill Viola and Rachel Whiteread. The stories show the profound connections that exist between artists past and present and offer an alternative look at art history from the 15th century to the 1960s, through the eyes of contemporary artists themselves. Simon Grant’s introduction identifies themes that emerge and contextualizes the history and practice of artists looking back at the work of others.
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Out of stock
R150exhibition catalogue for Jo Smail’s solo show at Goya Contemporary, Baltimore, USA, in 2017.
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R250While Johannes Phokela’s work is, at first glance, an irreverent representation of Western art history, it is the cultural and political consumption of pictures that interests him most. He is a voracious consumer of imagery, drawing not only on the iconic works of the European Masters – Rubens, Van Dyck, Caravaggio – but also on newspapers, magazines and the Internet. His is an ambitious exploration of the import of received art history on the one hand and the seemingly endless proliferation of images in popular culture on the other.
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R450Just Love Me–with its title taken directly from a late 90s neon sign by Tracey Emin–reveals how complex and differentiated female identity constructions have become today.
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R250Essay by Ralf Seippel: Melting Art in the Melting Pot
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R300Exhibition Catalogue about the influential Brazilian artist Hélio Oiticica, shown at TATE Gallery, London, UK, in 2007.
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R175As a painter, illustrator and critic, Paul Nash (1889-1946) was at the forefront of British art in the first half of the twentieth century.
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R350This catalogue accompanied the exhibition that ran at Wits Art Museum, Johannesburg, in 2015, entitled Peter Schütz: An Eye On The World, celebrating the late artist’s legacy.
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R200Rachel Whiteread solidifies space. Employing materials that include concrete, plaster, resin and rubber to mould not the objects themselves but the areas within or around them, she has single-handedly expanded the parameters of contemporary sculpture.
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R500This lavishly illustrated book concentrates more closely on the visual impact of Pre-Raphaelite art than any previous study.
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R4000For over thirty years, William Kentridge has been combining fine arts, performance, theatre, and opera to create dreamlike, political, and humanist works. His installations , films, and drawings often deal with the political situation in South Africa, apartheid, and the consequences of colonialism. This book gives an in-depth examination of his performance piece The Head & The Load, which explores the role of Africa during World War I. Throughout the war, more than one million Africans carried provisions and military equipment in hazardous conditions for British, French, and German troops at minimal or no pay.
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Since 1960, progressive forces within art education have fired new impulses in the field of artistic production. As society at large embraced youth and popular culture, art-school students with international aspirations tore down class barriers, fused fashion with pop, and insisted that art was integral to social change.
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R220 Original price was: R220.R180Current price is: R180.In the history of twentieth century modernism, Henri Matisse is a calm and unstoppable revolution of creative genius.
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R450Throughout his career, Vincent van Gogh attempted the paradoxical task of representing night through color and tonality. His procedure followed the trend set by the Impressionists of “translating” visual light effects with various color combinations, yet this goal was grafted onto his desire to interweave the visual and the metaphorical in order to produce fresh and original works of art.
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R200exhibition catalogue for Jo Smail’s solo show at Goya Contemporary, Baltimore, USA, in 2009
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R250Wim Botha won the Standard Bank Young Artist award for Visual Art 2005. This wonderfully produced catalogue documents the eight years of work leading up to that achievement.