Peter Schütz: An Eye On The World
R350This catalogue accompanied the exhibition that ran at Wits Art Museum, Johannesburg, in 2015, entitled Peter Schütz: An Eye On The World, celebrating the late artist’s legacy.
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This catalogue accompanied the exhibition that ran at Wits Art Museum, Johannesburg, in 2015, entitled Peter Schütz: An Eye On The World, celebrating the late artist’s legacy.
In Points for Departure ceramicist Dina Prinsloo documents her life’s work through a sumptuous collection of photographs, text, diagrams and notes. The book documents Prinsloo’s collaboration with prominent South African architects in which she has created sculptural objects and containers that become extensions of site and the built structure.
“Slowly, all these beautiful, plump, female nudes became cumbrous and all the handsome male nudes became heavy and distorted. I may have been quietly changing or I may have been finding what I really wanted to do.” Robert Hodgins
Robin Rhode’s Paries Pictus: Activity Book supplements the site specific wall drawing intervention of the same title on view at Lehmann Maupin’s 201 Chrystie Street space from January 10 – March 16, 2013. For this exhibition, Rhode applied twenty-one vinyl graphics to the gallery walls and invited a group of first graders to participate in…
Born in Durban in 1953, Jeremy Wafer received his BA degree from the University of Natal and his Masters in Fine Art degree from the University of the Witwatersrand in 1987. Since then, his sculptural and print work has remained informed by an artistic language which is modular, minimal and contemplative, and which varies in aesthetic effect and social purpose.
Santu Mofokeng was born in 1956 in Johannesburg. He began his photographic career informally as a street photographer in Soweto, and in the early 1980s set out to pursue photography in earnest, mostly through documentary coverage of political activity at the time.
Lien Botha is a Cape Town-based fine art photographer and installation artist, whose work has been widely exhibited and is to be found in major collections around South Africa.
Artist, writer, arts administrator and curator David Koloane has established a reputation both locally and internationally. His paintings and graphics have been featured in major collections and exhibitions worldwide.
The 13th book in the TAXI Art Book series of monographs, this title looks at the work of Diane Victor, with essays by Elizabeth Rankin and Karen von Veh.
To complement their current exhibition of William Kentridge’s works entitled, Telegrams From The Nose, the Annandale Galleries of Sydney have produced, under Anne Gregory’s guidance, a marvellous book-cum-catalogue, of the same title, which serves as both a handbook to those attending the exhibition, and a valuable read in its own right. The book showcases…
It is hard to imagine anything less obviously poetic than the machineries of mining or the scarred landscapes left over when mineral wealth has been extracted from the earth.
In The Soho Chronicles, Kentridge’s brother, Matthew, who has witnessed the evolution of William’s technique, themes, and ideas, shares a never before seen perspective on both William and Soho that sheds new light on the creator and his alter ego.
In Unsettled, South African photographer Cedric Nunn (best known for his photographs of apartheid resistance) turns his lens to the landscape of the Eastern Cape, site of the longest and most complex anti-colonial confrontation in South Africa’s history: The 100 Year War of Resistance.
exhibition catalogue of Vusi Khumalo’s solo show at Portland Gallery, London, in 2007
William Kentridge: Anything Is Possible gives viewers an intimate look into the mind and creative process of William Kentdridge, the South African artist whose acclaimed charcoal drawings, animations, video installations, shadow plays, mechanical puppets, tapestries, sculptures, live performance pieces, and operas have made him one of the most dynamic and exciting contemporary artists working today.
Wim Botha won the Standard Bank Young Artist award for Visual Art 2005. This wonderfully produced catalogue documents the eight years of work leading up to that achievement.
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