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The book explores Nel’s wide-ranging interests and engagement with the role of drawing as a discipline, as a form of notation for exploring thought and consciousness in interpreting self, the world and the universe at large.
Karoo Roads is a collector’s treasure box of trips and tales gathered from more than a decade of research and rubber-on-the-road experiences, penned and photographed by two award-winning travel writers, Chris Marais and Julienne du Toit, who will introduce you to some of the loveliest, toughest, most creative and downright crazy characters, critters and cultures thriving in the Dry Country.
A first monographic catalogue is devoted to Kevin Brand the prizewinner of the Mercedes-Benz Art Award for South African Art Projects in Public Space 2008.
The year is 2030. The drama centres on the encounter between the amaXhosa and the Khoi/Coloured descendants, which takes place at Intaba KaNdoda, a poverty-stricken community once ruled by the Khoi chief Ndoda.
‘Letters to Camondo immerses you in another age… de Waal creates a dazzling picture of what it means to live graciously. Subtle and thoughtful and nuanced and quiet. It is demanding but rewarding.
A collection of esays about objects in the collection at Wits Art Museum, based on research by postgraduate History of Art students at the University of the Witwatersrand and their lecturers: Joni Brenner, Laura De Becker, Stacey Vorster and Justine Wintjes. This book accompanies the exhibition at the Standard Bank Gallery.
“A particularly exciting and important aspect of this project is the reinvigoration of art history in a South African context. Through the association with Wits Art Museum, students have the privilege of doing original research with objects, of seeking links across disciplines and time-frames, and of finding new paths beyond western-tradition art historical practice” Anonymous peer reviewer
Out of stockOriginally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929-2014), one of South Africa’s foremost artists.
A mere 500 copies were originally published, all taken up at the exhibition, and continued demand has led to its re-release.
Originally published by the Standard Bank as part of a curated exhibition in May 2011, this prestigious volume celebrates the life and works of Peter Clarke (1929-2014), one of South Africa’s foremost artists.
A mere 500 copies were originally published, all taken up at the exhibition.
Signed by Philippa Hobbs, November 2014.
Out of stockA re-imagining of the fable in terms of the 17 Sustainable Development Goals, in a variety of theatrical styles, catalyzing debate and transferring knowledge through humor, satire and drama.
In Losing The Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor. If postapartheid literature’s founding moment was the ‘transition’ to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot- the mapping and making of social betterment – appears to have been lost.
In just a decade, journalist Monica Nicolson Oosterbroek Hilton-Barber Zwolsman married and lost both her beloved husbands – award winning photographers Ken Oosterbroek and Steven Hilton-Barber, as well as her precious 16-month-old son, Benjamin. Most people would have collapsed under the weight of such tragic devastation. But Monica, a survivor of note, now finally tells the story of her rollercoaster ride of a life, in the much anticipated memoir Love. Loss. Life.
Luan Nel received his BAFA in 1993 and his Higher diploma in Education in 1994 from the University of the Witwatersrand, Johannesburg. In 1994 he won the Judges Prize in The Sasol New Signatures competition. In 1998 and 1999 he participated in the artist’s residency at The Rijksakademie van Beeldende Kunsten in Amsterdam.
If interested in reading more about this title, please follow link for book review by Art Times.
Publication was edited and designed by Brenton Maart.
Contributions by Alexandra Dodd, Wilhelm van Rensburg, Lloyd Pollack and Robyn Sassen. Interviews with Ilya Rabinovich, Mosheke Langa and Keval Harie
Originally published in 2010 on the occasion of Against the Wall, Dumas’s first solo presentation at David Zwirner in New York, this much sought-after exhibition catalogue—which sold out shortly after publication—has been reprinted to coincide with the artist’s 2014–2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.
Marlene Dumas’s works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery.
An imaginary encounter between historical novelist Mary Renault and her hero Alexander the Great, each of them with the same sex life partner , Julie Mullard and Hephais-tion. Renault and Mullard lived in seaside suburb of Camps Bay in Cape Town.
This beautiful picture book is about a boy who dares to dream of a big future. It is a story of empowerment, self-belief and leadership, and is inspired by the life of former president Nelson Mandela.
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