Showing 65–80 of 523 results
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R1700Headrests from Southern Africa – The architecture of sleep presents the subject of southern African headrests in a fascinating new light. The book, richly illustrated – often with in situ photographs, offers unique historical and personal information collected from many of the original owners and carvers of the headrests. So, for the first time African headrests are brought to life with detailed information and the stories of their creation, ownership, use and significance.
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Out of stock
R175On June 16, 1976, Hector Pieterson, an ordinary boy, lost his life after getting caught up in what was supposed to be a peaceful protest.
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R175On June 16, 1976, Hector Pieterson, an ordinary boy, lost his life after getting caught up in what was supposed to be a peaceful protest.
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Out of stock
R350In this remarkable book of discovery, art historian Ruth Butler coaxes three shadowy women out of obscurity and introduces them for the first time as individuals. Through unprecedented research, Butler has been able to create portraits of Hortense Fiquet, Camille Doncieux, and Rose Beuret—the models, and later the wives, respectively, of Cézanne, Monet, and Rodin, three of the most famous French artists of their generation
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R250Cecil John Rhodes and Sol Plaatje never met . Rhodes were holed up in Kimberley during the siege, Plaatje were in Mafikeng. … Other than that little detail, most of what follows is true.’
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R350Exhibition catalogue of a selection of old maps, photographs, postcards and posters, etc published for the exhibition of the same title, showing Table Mountain as a cultural symbol.
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R1000Hogarth in Johannesburg is the timely product of several paths crossing. As the model of Hogarth suggests, some of these paths involve the tradition of art history and the position of the three Johannesburg artists within it.
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Winner ‘Best Script’ and ‘Best Director’ awards, Baxter Zabalaza Theatre Festival 2022
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R120I believe poetry like jazz, allows one to knock on the void of silence. In this way I celebrate the lives of artists and poets such as Mafika Gwala, Jackson Hlungwani, Kippie ‘Morolong’ Moeketsi and Fana Zulu.
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R250I Make Art restages John Baldessari’s I am Making Art (1971) following his 1970 Class Assignments (Optional) to ‘Imitate Baldessari in Actions and Speech. Video’. Baldessari’s gestural playfulness, copied, repeated and appropriated by a South African woman artist, becomes a strained signifier of accumulated otherness in its repetitious shorthand indexing of Western art categorisations: I Make African Art, I Make Contemporary Arab Art, I Make Craft, I Make Feminist Art, I Make Performance Art, I Make Digital Art, I Make Protest Art, I Make Interdisciplinary Art, I Make Deconstructive Art.
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R160The book “In the Shadow of the Noose” traces the legal case brought by DITSHWANELO – The Botswana Centre for Human Rights, on behalf of two Basarwa/San men. Convicted of murder and sentenced to death in 1997, they successfully challenged their death sentences. Their convictions and sentences were set aside in 1999. After being re-charged…
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R120Abu Bakr Solomons continues his exploration of the unfolding social and political milieu -worlds in transition – both locally and globally; the threats and compelling beauty which coexist in these complex human tragedies and triumphs so that the past and the present intersect in the psyches and consciousness of individuals and delivery of social movements.
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R285We need this book. Of course Africa needs it as well, because no other huge area of the planet is treated as such a singular region, and that has to change. But the rest of the planet needs It’s a Continent because we miss out by not recognizing the individual majesty, the complexity, the beauty, the culture and the stories of the dozens of African countries.
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Out of stock
R1500Hlungwani’s body of sculpture articulates his spiritual journey, his insights, and his world in three-dimensional form aiding him in his life’s mission as orator, teacher, healer, and visionary. The sculptures are evidence not only of a remarkable sustained artistic endeavour, but are also, by nature, sculptures that teach. Hlungwani created specific works for the two altars on the hilltop site that he called ‘New Jerusalem.’ These sculptures – as well as many others – expressed his immanent relationship with God, Christ and the Archangels Gabriel and Michael. His numinous world was then directed to his community in his teachings, and beyond, as he freely shared his vision of a new world order.
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Out of stock
R1180South African sculptor Jeremy Wafer was born in 1953 in Durban and is Professor of Sculpture in the School of Arts of the University of the Witwatersrand. He was awarded the Standard Bank National Drawing Prize in 1987 and the Sasol Wax Art Award in 2006.
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Out of stock
R100In “Unfolding Her” Jill Trappler explores the notion of ‘foreverness’ in her non-figurative art practice.