Unrest – Hasan Essop and Husain Essop
R120Published in 2014 by the Goodman Gallery on the occasion of the exhibition Unrest by Hasan and Husain Essop and the Standard Bank Young Artist Award for Visual Art 2014
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Published in 2014 by the Goodman Gallery on the occasion of the exhibition Unrest by Hasan and Husain Essop and the Standard Bank Young Artist Award for Visual Art 2014
In Unsettled, South African photographer Cedric Nunn (best known for his photographs of apartheid resistance) turns his lens to the landscape of the Eastern Cape, site of the longest and most complex anti-colonial confrontation in South Africa’s history: The 100 Year War of Resistance.
This comprehensive Teacher’s Guide has been approved by the DBE.
exhibition catalogue of Vusi Khumalo’s solo show at Portland Gallery, London, in 2007
This text is available in yellow, green and red. It is not available in purple (pictured), nor blue.
The exhibition titled I Invented Myself consisted of works privately owned by well-known art collector and philanthropist Jack Ginsberg, who has over many years assembled an astonishing collection that includes more than 700 artworks, books, and collectibles by South African artist Walter Battiss, including some works which have never been on display in public before.
The collection includes works by the young student leaders turned academic and public commentators such as David Maimela, Thapelo Tselapedi and Sisonke Msimang; student newspaper journalists that were covering the protests like Natasha Ndlebe; public writing commentators with aims to inform and teach the broader South African society about the aspects of the movement like Yamkela Spengane and Rofhiwa Maneta; lecturers who were assisting the students articulate and find clarity in the way they shaped and voiced their ideas such as Sabelo Ndlovu-Gatsheni and then of course others were foot soldiers on the ground leading students through the police brutality of rubber bullets and pepper spray like Mcebo Dlamini, Loverlyn Nwandeyi, Ntokozo Qwabe and Ramabina Mahapa.
In What Will People Say?, a rich variety of township characters—the preachers, the teachers, the gangsters and the defeated—come to life in vivid language as they eke out their lives in the shadows of gray concrete blocks of flats.
Beiles is probably most famous for helping Burroughs get Naked Lunchpublished at Olympia through Girodias, at a time when Burroughs was really strung out on paregoric and/or heroin. His most famous work in print is probably as one of the four contributors (Beiles, Burroughs, Corso & Gysin) of the now legendary cut-up compilation, Minutes to Go, published in 1960.
South African scriptwriter Paul Waterson is in Kenya to carry out research for a documentary film. It’s October 2001, and his relationship has come to an unexpected end.
William Kentridge: Anything Is Possible gives viewers an intimate look into the mind and creative process of William Kentdridge, the South African artist whose acclaimed charcoal drawings, animations, video installations, shadow plays, mechanical puppets, tapestries, sculptures, live performance pieces, and operas have made him one of the most dynamic and exciting contemporary artists working today.
Kentridge made roughly one hundred drawings for the book, using collage on text pages torn from books he has cannibalized for years, such as Mrs Beaton’s Book of Household Remedies, and the French Larousse Encyclopaedia, favouring ink and brush drawing with crayon on the text pages.
William Kentridge: Thick Time undertakes an overview of the artist’s recent works, focusing on a sequence of five key pieces dating from 2003 to 2015. These encompass three immersive audiovisual installations, including The Refusal of Time, selected works on paper, and ideas for theatre and opera design.
This visually compelling publication highlights The Museum of Modern Art’s unparalleled collection of prints and books by William Kentridge – nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge’s practice brings together drawing, film animation, books, sculpture and performance.
Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which William Kentridge has embellished with black ink drawings of what might seem at first to be animal silhouettes.
David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.
William Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.
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