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The shifting confluences of poetry and painting elements of narrative, music, metaphor or symbol, as well as those of envisioning and evoking rather than depicting arrive at visual concerns at once bodily, topographical and architectural throughout the work of Peter Sacks.
This catalogue accompanied the exhibition that ran at Wits Art Museum, Johannesburg, in 2015, entitled Peter Schütz: An Eye On The World, celebrating the late artist’s legacy.
South Africa has seen dramatic recent changes in its history, so that in today’s post-apartheid society, where division is still evident but now set primarily along economic lines, it is a country with which both Third and First Worlds can identify.
Fuelled by a passion for wilderness and aviation, John Bassi embarked on a challenging and fascinating journey through the birth, growth and change of South Africa’s game capture industry. Trans-location projects, wildlife research, and veterinary and breeding projects expose him to the shape, form and movement of African wildlife on a daily basis. John specialized…
In Points for Departure ceramicist Dina Prinsloo documents her life’s work through a sumptuous collection of photographs, text, diagrams and notes. The book documents Prinsloo’s collaboration with prominent South African architects in which she has created sculptural objects and containers that become extensions of site and the built structure.
Ponte City dominates the Johannesburg skyline. This unavoidable 54-storey apartment building on the Berea ridge has become an icon of the city it towers over.
Ranging from resistance to education, contemporary artists are increasingly raising opposition to economic pressure, radical social change and rapidly changing identities. How does the local contemporary art scene respond to the worldwide dynamics of globalisation? Which social, political and cultural positions do individual artists adopt? This volume presents views of some of South Africa’s most…
This delightful children’s book is a heartwarming story about a mighty, magnificent pig that leaves an empowering message to all humans, big and small.
An essential guide to this important aspect of South African art, this book provides a comprehensive overview of printmaking in South Africa, replacing the now outdated monograph by F. L. Alexander.
From the ashes of a repressive, segregated, and racist state, a multi-racial nation miraculously emerged, one of the greatest success stories of the African continent. And so began Per-Anders Pettersson’s love affair with South Africa.
Design and layout of a major book accompanying the inaugural exhibition at Norval Foundation, Re/discovery and Memory: The works of Sydney Kumalo, Ezrom Legae, Serge Alain Nitegeka and Edoardo Villa, curated by Karel Nel, 28 April – 10 September 2018.
Retrospectives of the work of both Sydney Kumalo and Ezrom Legae were shown alongside an exhibition of their friend and colleague Edoardo Villa, while Serge Alain Nitegeka was commissioned to create an immersive installation in the atrium.
Adam Habib, the most prominent and outspoken university official through the recent student protests, takes a characteristically frank view of the past three years on South Africa’s campuses in this new book. This book is both an attempt at a historical account and a thoughtful reflection on the issues the protests kicked up, from the perspective not only of a high-ranking member of university management, but also Habib as political scientist with a background as an activist during the struggle against apartheid.
Although the African National Congress (ANC) has been in power now for 20 years and looks set to continue in office for some time yet, its hold on power is neither permanent nor assured, and sometime in the future it is safe to say it will be voted out of office.
Remarkable South Africans is a book that sings the song of unsung heroes and heroines.
It tells of South Africans who take it upon themselves to work for a better future for the country – the custodians of ubuntu.
From 2013 to 2016, Revolution Room explored participatory art practice in Johannesburg (South Africa), Lubumbashi, Moba and Fungurume (Democratic Republic of Congo).
Zapiro skewers another momentous year including the drama over Rhodes and other statues, # Nkandla Pay Back the Money, spy cables, NPA shenanigans, Eskom and parastatal paralysis, union disunity, Charlie Hebdo, xenophobia, Juju’s boiler suit brigade, Godzille’s successor, cockroaches, Verwoerd’s ghost and other political creatures.
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