Showing 337–352 of 523 results
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R500The new Constitutional Court of South Africa was inaugurated in 2004, ten years after the demise of apartheid and South Africa’s first democratic elections that brought the African National Congress and Nelson Mandela to power. The historic new building was the work of a team of young South African architects who had won the international competition for the design and building of the Court. Shortly after the opening of the Court, David Krut Publishing was approached to manage a competition for the design of a book on the architecture of this important building. The book design competition was won by Adele Prins of Flow Design and work on the book began in 2005.
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R120This seventh collection from one of South African poetry’s underappreciated masters is possibly his best yet. Metatextual, meticulous and deeply steeped in sentiment, Liminal is an exquisite and at-times startling rumination on lives lived, loves loved and writings written.
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R100Love Child is a collection for the new millennium generation. It is valuable not just for the deeply-felt personal and political insights it has to offer, but for the accessible ease with which it manages to capture the seminal moments of black South African history in the preserving amber of the author’s personal recollection.
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R250‘Why bother to rob a bank, when you can own a bank?’ asked Bertold Brecht. The question is reiterated in the very Brechtian Love, Crime and Johannesburg, the story of Jimmy ‘Long Legs’ Mangane and the trouble he gets into in the new South Africa. Jimmy, a people’s poet involved in the struggle, is accused of robbing a bank. He passionately asserts his innocence, claiming to work for the ‘secret secret service’.
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R195In a luscious, vibrant picture book, young listeners can hear of how Maggie, a beautifully-dressed doll, Mango, a careful bear, and Scottie, a Scottie with shades, all go off for a day in “Deepest Africa”.
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R100It is a quirky, lighter look at one of South Africa’s most important, yet most overlooked, relationships: that between a domestic worker and her madam
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R180Mapping Memory: Former Prisoners Tell their Stories is a project of Constitution Hill – the heritage precinct built around the Number Four prison complex that is now the home of the Constitutional Court. The project brought back former prisoners who were held in the Women’s Jail and Number Four and created the opportunity for them to give material form to their memories made fragile by the passage of time.
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R250In Mapula: Embroidery and Empowerment in the Winterveld, Brenda Schmahmann discusses the complex circumstances that resulted in the founding of Mapula in 1991, when the Winterveld was part of the former ‘homeland’ of Bophuthatswana. The Mapula Embroidery Project in the Winterveld is one of the most important community art projects in South Africa.
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R160A source of quickly accessible information providing broad coverage of electrical engineering and electronics, including electromagnetic fields, networks, signals and systems, digital and analog electronics, and power supplies
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R140The eagerly-awaited debut from one of the South Africa’s most exciting young poets, Matric Rage is Genna Gardini’s reckoning with youth, womanhood and mortality.
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R300Accompanying catalogue for Matthew Hindley’s 2018 exhibition, The Divided Self.
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R150An astonishingly powerful publication to coincide with an exhibition of Matthew Hindley’s rich, oil paintings. The paintings are full of tension and suspense and suspension. The reproductions here are excellent. They are vivid and visceral.
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R250Essay by Ralf Seippel: Melting Art in the Melting Pot
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R275In this title about a hospital experience the text and visual images offer parallel narratives that resonate poignantly with each other. Adriaan van Zyl’s series of more than 20 paintings portrays a patient’s experience from waiting room to ward giving a quietly disturbing view of the soullessness of hospitals in general.
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R550Born in Cotonou, Benin in 1961, Meschac Gaba moved to the Netherlands in 1996 to take up a residency at the Rijksakademie. It was there that he conceived Museum of Contemporary African Art 1997 – 2002, an ambitious work, that took him five years to complete and that cemented his reputation as one of the most important artists working today.
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R200This catalogue features an essay by Johannesburg Art Gallery curator Khwezi Gule, and an interview with Gaba by Joost Bosland highlighting the importance of humour and play in Gaba’s work.
