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A writer of restless enquiry and breadth of learning, Valerio Magrelli bids fair to be the most important poet of his generation in Italy, as witnessed by the critical attention that his work has received and the major prizes it has garnered.
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The Standard Bank Foundation of African Art, housed at the University of the Witwatersrand Art Galleries was begun ten years ago. This exhibition, one of the largest of its kind ever held in South Africa, commemorates a partnership which expresses the true ideals of both private enterprise and public education in this country.
Out of stockThe Thabo Mbeki I Know is a collection that celebrates one of South Africa’s most exceptional thought leaders. The contributors include those who first got to know Thabo Mbeki as a young man, in South Africa and in exile, and those who encountered him as a statesman and worked alongside him as an African leader.
In some dystopian future, all homo-sexual people have been shipped into space. From his hermetically sealed pod, the Boy looks down on a ruined , devastated Earth. It is a story of loss, grief and isolation.
The exhibition opened on the eve of South Africa’s Covid-19 lockdown, and the catalogue essay by Mwenya B Kabwe asks what the Gymnasium series gives us ’at a time like this, a time of such massive upheaval’. Interweaving a fabular tale with her insights into Nkosi’s lens on this moment, Kabwe write: ’Nkosi tells us that when we are talking about race, we are never just talking about race. When we are talking about infectious diseases, we are actually talking about the biological expression of social inequality.’ She continues:
This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare’s plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.
Craig Higginson’s first three plays for adult audiences – collected here in one volume – represent one of the strongest debuts in contemporary South African theatre. Although each can be seen as a variation on the theme of the post-apartheid state of the nation play, they are also engaged with realities in Zimbabwe, the Congo and contemporary Europe. Higginson’s experience of growing up in wartorn Zimbabwe and apartheid South Africa have given him a deep-rooted and potent angle from which to dramatize a dialogue between Europe and Africa.
Band of Brothers travels back and forth in time over a period of twelve years to unravel a sex scandal in a boys’ school. The British Maharajah and the German Rentboy bills itself as a ’fantasy woven from facts’, presented as a quasi radio documentary. Clayton Crawford, PhD is a piece of total realism, the entire action taking place over one evening, with dramatic time mimicking real time.
In Transcontinental Delay, Simon Van Schalkwyk tracks experiences of imminent arrival and departure, periods of waiting and suspension between destinations, points where the demands of place dissolve into the more anticipatory potentialities of space.
In this debut collection of 48 poems, Sizakele Nkosi reflects on her childhood and daily life and relationships in Soweto, the heartbeat of Black Jozi.
Evil stalks the township of KwaMashu, near Durban. It comes in the form of Whoonga, a toxic mix of B-grade heroin, rat poison and other chemical components that almost immediately sucks its users into the vortex of addiction and the crime, deception and personal tragedy that goes with it. Caught up in the web, the ulwembu of the title, presided over by the dealer, Bongani Mseleku, are Lieutenant Portia Mthembu, a police officer in the frontline of the fight against the scourge; her son Sipho; his friend, Andile Nxumalo, and Emmanuel Abreu, a Mozambique-born spaza shopkeeper.
In March 2016, Mosilo Mothepu was appointed CEO of Trillian Financial Advisory, a subsidiary of Gupta-linked Trillian Capital Partners. The prospect of being at the helm of a black-owned financial consultancy was electrifying for a black woman whose twin passions were transformation and empowering women. Three months later, suffering from depression and insomnia, she resigned with no other job lined up.
Beneath the Nelson Mandela Boulevard flyover on Cape Town’s foreshore lives a community of stowaways, young Tanzanian men from the slums of Dar es Salaam.
When journalist Sean Christie meets Adam Bashili, he comes to know the extraordinary world of Beachboys, a multi-port, fourth-generation subculture that lives to stow away and stows away to survive. But Sean starts to accompany the beachboys on trips around their everyday Cape Town, he becomes more than a casual observer, serving as sometime moneylender, driver, confidant and scribe, and eventually joining Adam on an unprecedented tour of Dar es Salaam’s underworld and a reckless run down Africa’s east coast.
Under Nelson Mandela Boulevard remaps both city and continent, introducing us to the places and people we so frequently overlook.
Covering 23 gardens and landscapes, and richly supported by exquisite photographs and specially commissioned artworks, Veld is a beautiful tribute to a remarkable talent and visionary whose work is deeply informed by nature. It recognises and celebrates the combination of knowledge, skill and instinct that make up the man, and the radical influence he has had on his profession, and the landscapes he has restored.
The carefully modulated surface of Stuart Payne’s poems belies the intriguing, startling and thought-provoking depths of thought and perception. Such deliberate tensioning between the obvious and the hidden allows him to craft finely judged poems that reward rereading. Whether evoking the touch of the sun or the sound of an old tape recording, his universe is both vivid and uncertain as past, present and future are considered and reconsidered, and the distance between minds is sensed and explored.
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