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Set in the past, present, and future, this progression of three tales holds a message that is relevant in each era. These thought-provoking stories pose questions focusing on the promotion of greed being endemic within each society and being accepted as the norm.
Out of stockTen Years of Collecting (1979-1989), David Hammond-Tooke and Anitra Nettleton, softcover, published by the University of the Witwatersrand, 1989, tearing, creasing and wear to cover, shelf wear.
A sweeping historical adventure, The Cape Raider is the tale of a broken hero who has to find himself despite the trauma of war, a domineering father and the death of his mother during the Blitz. He must adapt to a new country, a new navy and new love, and finally he must come face to face with the Nazi raider in a fight to the death in the icy seas off the southernmost tip of Africa.
THE DIARY OF ANNE FRANK IS ‘A MONUMENT TO THE HUMAN SPIRIT’One of the most famous accounts of living under the Nazi regime comes from the diary of a thirteen-year-old Jewish girl, Anne Frank. Edited by her father Otto H. Frank and German novelist Mirjam Pressler, this is a true story to be rediscovered by each new generation.
The Fifth Mrs Brink is Karina M. Szczurek’s memoir of her life before, during and after her marriage to André P. Brink.
Polish-born Karina was twenty-seven when she met the acclaimed writer, forty-two years her senior, and they spent a decade together. Here she chronicles their relationship, from their first encounter in Vienna, Austria, and moving across continents to be with each other, to finding calm and stability in their married life in Cape Town, and finally facing the challenges of André’s deteriorating health in the last year of his life.
Bantu Holomisa is one of South Africa’s most respected and popular political figures. Born in the Transkei in 1955, he attended an elite school for the sons of chiefs and headmen. While other men his age were joining Umkhonto weSizwe, Holomisa enrolled in the Transkeian Defence Force and rose rapidly through the ranks. As…
This new book, the first comprehensive publication on the significant site, tells the story of the gas works and the manufacture of gas in Johannesburg, beginning in 1927.
Out of stockThe People Shall Govern! features nearly all the surviving posters that Medu created between 1979 and 1985.
The Standard Bank Foundation of African Art, housed at the University of the Witwatersrand Art Galleries was begun ten years ago. This exhibition, one of the largest of its kind ever held in South Africa, commemorates a partnership which expresses the true ideals of both private enterprise and public education in this country.
Out of stockThe Thabo Mbeki I Know is a collection that celebrates one of South Africa’s most exceptional thought leaders. The contributors include those who first got to know Thabo Mbeki as a young man, in South Africa and in exile, and those who encountered him as a statesman and worked alongside him as an African leader.
Wayne Barker’s artistic career spans almost two decades, marked by a bitter-sweet mix of politics, poetry, and a passion for subversion. Tracking that career from apartheid South Africa’s most violent years to a new democratic dispensation, the artist’s monograph explores the contradictory impulses of “African identity”.
Worlds in one country is a compact, inclusive history of writing in South Africa from the nineteenth century to 1994 that crosses boundaries of language and colour, including prose, poetry and theatre.
This examination of the extraordinary work which has recently appeared is therefore very timely. Migration is a central theme of much African fiction written in English. Here, Brenda Cooper tracks the journeys undertaken by a new generation of African writers, their protagonists and the solid objects that populate their fiction, to depict the material realities of their multiple worlds and languages. The book explores the uses to which the English language is put in order to understand these worlds. It demonstrates how these writers have contested the dominance of colonising metaphors. The writers’ challenge is to find an English that can effectively express their many lives, languages and identities.
We are at the same time trying hard to impress our former oppressors by rubbishing our cultures and beliefs in the interest of theirs. Our languages are vanishing and we are meanwhile contributing to their demise by speaking only the former oppressors’ language to our children.
We have turned ourselves into easy targets in all spheres and it is time we confront our weaknesses head on.
Let the prayer begin…
Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.
Capitalist Nigger excels as an explosive and jarring indictment of the Black Race.
The book asserts that the Negroid Race, as naturally endowed as any other, is culpably a non-productive race. The Black Race is a consumer race and depends on other communities for its culture, its language, its feeding, and its clothing.
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