I Flying
R150“I Flying” is an astonishing debut.
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I love you I hate you is a book about Johannesburg told in two parts.
The first is told through design. The second part is told through the essays of 34 writers describing a complicated relationship with Johannesburg.
During the 1870s and 1880s, a loose group of French artists, including Pissarro, Monet, and Renoir, adopted a style of painting and subject matter that challenged the art prompted by the Academie Francaise and the Salons where “official” assumptions about the meaning of painting prevailed.
Of all the myriad stars and celebrities Hollywood has produced, only a handful have achieved the fame – and, some would say, infamy – of Orson Welles, the creator and star of what is arguably the greatest film ever, Citizen Kane. Many books have been written about him, detailing his achievements as an artist as well as his foibles as a human being. None of them, however, has come so close to the real man as Chris Welles Feder does in this beautifully realised portrait of her father.
Established as a luxury vacation destination for the rich and famous in the early 1900s, Palm Beach is synonymous with old-world glamour and new world sophistication
Paul Nash is widely regarded as one of the most significant British artists of the 20th century. Best known for his evocative paintings of war-ravaged landscapes and his quasi-Surrealist visions of the English countryside, Nash was also a consummate photographer, who believed that the camera could reveal aspects of the world that the painter could not.
Three years after the conclusion of his trilogy, On This Earth, A Shadow Falls Across the Ravaged Land, Nick Brandt returns to East Africa to photograph the escalating changes to the continent’s natural world. In a series of epic panoramas, Brandt records the impact of man in places where animals used to roam, but no longer do. In each location, Brandt erects a life size panel of one of his animal portrait photographs, setting the panels within a world of explosive urban development, factories, wasteland and quarries.
Fully illustrated throughout with 40 full-colour illustrations and a full list of works. Artists include: Yves Klein, Yoko Ono, Claes Oldenburg, Art and Language, Robert Barry, James Lee Byars, Chris Burden, Andy Warhol, Tehching Hsieh, Horst Hoheisel, Gianni Motti, Maurizio Cattelan, Tom Friedman, Jochen Gerz, Bruno Jakob, Song Dong, Carsten H’ller, Teresa Margolles, Jay Chung, Ceal Floyer, Mario Garcia Torres, Jeppe Hein, Bethan Huws, Glenn Ligon, Roman Ond’k, Lai Chih-Sheng.
In Flowers, Welling continues to work with photograms of flowers, a project he began in 2004. The most recent Flowers are larger in scale and have a greater range of colors than those in past works.
The photographic series One Hundred Little Deaths is the artist Janaina Tschape’s meditation on mortality, both dark and oddly humorous photographs taken all over the world. The artist lies face down in empty rooms, houses, casxtles, gardens, on beaches, fields, oceans and bridges, daring the viewer to decide, is she sleeping, dead or merely joking?
The Japanese photographers in this volume are the undiscovered Cartier-Bresson, Brassai, or Doiseneau.
From the 1945 bombing of Japan to the 1964 Tokyo Olympic Games, photography blossomed in the rapidly evolving country. Documentary photography that captured the horrors of war shifted to focus on the human strength for survival and solidarity.
IN 2009/10, Jo Ractliffe traced the routes of the ‘Border War’, fought by South Africa in Angola through the 1970s and 80s. Following Terreno Ocupado, which focused on Luanda five years after the country’s civil war ended, As Terras do Fin do Mundo shifts attention away from the urban manifestation of aftermath to the space of war itself.
Celebrated for his brilliant use of old film stills, portraits, postcards and other found imagery, John Stezaker engages with this exquisitely selected found material through inversion, excision, incision, fusion and accidental damage.
With its mix of magnificent puppets, live actors, captivating costumes and evocative music, video projection and dance, “Tall Horse” has enchanted theatre goers world wide. This spectacular production is the result of an exceptional meeting between South Africa’s Handspring Puppet Company and Mali’s Sogolon Puppet Troupe. Mervyn Millar had unique access to the production, from development workshops through rehearsals to the first performances for the world tour.
This exhibition seeks to look at the disillusion which many Black South Africans face with the advent of democracy. “A disillusion which [we] are complacent about, especially those of us who are privileged… It is this complacency that Urbanation seeks to tear asunder, though be it in the most poetic of ways.”
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