Showing 17–32 of 61 results
Berni Searle: Approach, is a multidimensional program with internationally celebrated South African artist, whose work in performance, photography, film and video installation address racial and gender inequities through the use of her body, personal histories and the construction of personal mythologies.
Candice Breitz: Extra! is the first significant survey exhibition of Breitz’s work on South African soil.
A classic study of the history of fashion brought right up to date
Out of stockDancers Among Us presents one thrilling photograph after another of dancers leaping, spinning, lifting, kicking—but in the midst of daily life: on the beach, at a construction site, in a library, a restaurant, a park.
Through extensive interviews with former members, and rich visual and archival material (from the archive now housed in the Documentation Centre for Music at Stellenbosch University), this book, the first on the history of the Eoan group, makes a unique contribution to South African music history. It illustrates not only how difficult it was for…
A catalog of a delightful and very Felliniesque drawings by the master Italian film director, now on view in conjunction with a film festival at the Guggenheim Museum, New York.
How and why has the saga of Scarlett O’Hara kept such a tenacious hold on our national imagination for almost three-quarters of a century? In the first book ever to deal simultaneously with Margaret Mitchell’s beloved novel and David Selznick’s spectacular film version of Gone with the Wind, film critic Molly Haskell seeks the answers.
This is the first book to fully examine the serious cultural influence of one of the twentieth century’s most excessive and exciting pop movements. Glam is held as a prism through which to view and refract artistic developments in Europe and North America, shedding new light on the extravagance of art, performance and visual culture…
Handspring Puppet Company was founded by Basil Jones, Adrian Kohler, Jill Joubert and Jon Weinberg in 1981. They have produced eleven plays and two operas, collaborated with many different artists including Mali’s Sogolon Puppet Troupe and South African artist William Kentridge which opened in over 200 venues in South Africa and abroad.
Out of stockHappy Natives is very contemporary, looking at the way in which South Africans struggle to define their present identity. The play is extremely gripping, very funny and yet keeps surprising the audience with its insight into the complexities of cross-cultural relationships, ten years on from the start of the rainbow nation.
Much of contemporary photography and video seems haunted by the past, by ghostly apparitions that are reanimated in reproductive media, as well as in live performance and the virtual world.
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From previously barren moorland in the Pentland Hills near Edinburgh, Ian Hamilton Finlay has created a unique garden as an encompassing work of art. Little Sparta is a magical combination of culture and horticulture, poetry and planting, philosophy and myth.
Of all the myriad stars and celebrities Hollywood has produced, only a handful have achieved the fame – and, some would say, infamy – of Orson Welles, the creator and star of what is arguably the greatest film ever, Citizen Kane. Many books have been written about him, detailing his achievements as an artist as well as his foibles as a human being. None of them, however, has come so close to the real man as Chris Welles Feder does in this beautifully realised portrait of her father.
With its mix of magnificent puppets, live actors, captivating costumes and evocative music, video projection and dance, “Tall Horse” has enchanted theatre goers world wide. This spectacular production is the result of an exceptional meeting between South Africa’s Handspring Puppet Company and Mali’s Sogolon Puppet Troupe. Mervyn Millar had unique access to the production, from development workshops through rehearsals to the first performances for the world tour.
‘Why bother to rob a bank, when you can own a bank?’ asked Bertold Brecht. The question is reiterated in the very Brechtian Love, Crime and Johannesburg, the story of Jimmy ‘Long Legs’ Mangane and the trouble he gets into in the new South Africa. Jimmy, a people’s poet involved in the struggle, is accused of robbing a bank. He passionately asserts his innocence, claiming to work for the ‘secret secret service’.
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