The Vanishing Man: In Pursuit of Velazquez
R380An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania.
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An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania.
This electrifying new book thrives on revealing, not resolving, the ambiguities of Shakespeare’s plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.
In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her abusive husband and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which have opened the doors to a world of learned interlocutors and richly furnished salons. Both women have pushed against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.
Nazraeli Press is a publisher of books of photography. It was founded in 1989, in Munich, Germany, by Chris Pichler and has been based in the USA since 1996. ‘Twenty Parachutes’ is a unique book showcasing the photographs of late Margaret Bourke-White. Writer and curator, Trudy Wilner Stack, wrote the following in the introduction of ‘Twenty Parachutes’: “Few careers with a camera have been as narrated and celebrated as that of Margaret Bourke-White. With legendary fortitude and energy, Bourke-White time and again nailed the assignments she was given with formal brilliance and incisive descriptive power. In this series of images, we feel a relaxing of her precision as she recorded an emblematic struggle between natural force and human ingenuity, between our limitations and the grand devices we create to defy them.”
Lavishly illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art.
Unveiling a portion of the world whose contradictions, attractions, and absurdities are still largely unknown to people outside its borders, A Journey into Russia is a much-needed glimpse into one of today’s most significant regions.
Drawing inspiration from the work of the Truth and Reconciliation Commission, a restorative justice body assembled in South Africa after the abolition of apartheid, Georgette created this provocative and moving series entitled “A Just Society”.
The definitive textbook on the archaeology and history of Mexico and Central America, which was the winner of the 2005 Society for American Archaeology Book Award
A survey of the full breadth and complexity of Mexican art history, ranging widely across genres and offering new interpretations of painting, sculpture, architecture, prints and photographs
Our understanding of art has undergone several major upheavals in the past thirty years. Postmodernism and mass media began the process of disruption in the 1980s. The explosion in the use of digital technologies since the 1990s has radically altered the way in which art is now created, perceived and made available. The recent shift…
Amongst a host of exhibitions and books surveying ‘New Art from China’, this title stands out as a uniquely focused investigation of Chinese sculpture and installation. Exploring the work of a small number of artists, Liang Shaoji, Wang Jianwei, Xu Zhen/MadeIn Company, Gu Dexin, Sun Yuan & Peng Yu, Chen Zhen, Yingmei Duan and illustrating their most powerful and engaging works, this book traces a very particular seam of performative Chinese art from the late 1980s to the present.
Over the past thirty years, our ideas about the cultures of Empire have been transformed. Contemporary reflections on Empire by writers and artists are widely published and displayed, and museums have witnessed a growing number of exhibitions devoted to aspects of the rich and varied visual culture that emerged in places under British governance, from the Americas to India and Australasia. And yet, since the vast Imperial exhibitions of the early twentieth-century there has been no wide-ranging presentation of the objects made across the British Empire. This publication, which accompanies a major Tate Britain exhibition, fills that gap.
This book examines the new orientation of ideas on Chinese material culture in early 20th century London under the influence of a circle of enthusiasts and scholars, preeminent among which was George Eumorfopoulos (1863-1939), a Greek origin London businessman and collector.
From its underground genesis during the Cultural Revolution (1966–76), contemporary Chinese art has become a dynamic and hugely influential force in a globalized art world. In this first major introduction to the topic, Wu Hung provides an accessible, focused, and much-needed narrative of the development of Chinese art across all media from the 1970s to the 2000s, a time span characterized by radical social, political, and economic change in China.
A classic study of the history of fashion brought right up to date
This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora.
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