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For the past decade, in an ongoing project titled The Lost Men, renowned artist Paul Emmanuel has challenged conventions around war memorials. He has questioned which soldiers are memorialised and which are erased, and the stereotypes around soldiers and masculinity. Featuring artworks from his three iterations of The Lost Men, Paul Emmanuel Men and Monuments highlights vulnerability, an aspect of masculinity so often denied by history and society.
Out of stockPart memoir, part guidebook, PERspective takes the reader along Per Ostberg’s uneven path of self-discovery as he lays bare the life of the expat and the challenges that lie ahead. He combines his own candid personal stories from 25 years of expat life in 84 countries with formal research such as Professor Geert Hofstede’s intercultural management perspectives.
UNISA Series of essays dealing with issues in English Studies in Southern Africa.
The work of David Goldblatt – as recipient of the 2006 Hasselblad Foundation Award undoubtedly South Africa’s most prominent active photographer – reflects a life-long exploration of the relationship between individual South Africans and the society they live in. His first extended photographic essay was compiled in the 1960s. When it was finally published in 1975 as Some Afrikaners Photographed, the book created quite a stir locally. Eventually most of the small print-run had to be sold off for a song.
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Out of stockTen Years of Collecting (1979-1989), David Hammond-Tooke and Anitra Nettleton, softcover, published by the University of the Witwatersrand, 1989, tearing, creasing and wear to cover, shelf wear.
Nazraeli Press is a publisher of books of photography. It was founded in 1989, in Munich, Germany, by Chris Pichler and has been based in the USA since 1996. ‘Twenty Parachutes’ is a unique book showcasing the photographs of late Margaret Bourke-White. Writer and curator, Trudy Wilner Stack, wrote the following in the introduction of ‘Twenty Parachutes’: “Few careers with a camera have been as narrated and celebrated as that of Margaret Bourke-White. With legendary fortitude and energy, Bourke-White time and again nailed the assignments she was given with formal brilliance and incisive descriptive power. In this series of images, we feel a relaxing of her precision as she recorded an emblematic struggle between natural force and human ingenuity, between our limitations and the grand devices we create to defy them.”
Out of stockThis play is a collaboration between writer Jane Taylor, artist William Kentridge, and Basil Jones and Adrian Kohler of the Handspring Puppet Company (who brought War Horse to England’s National Theatre). The main protagonist is based on the scandalous character, Ubu, created by the surrealist poet, Alfred Jarry.
The Vienna Workshop and the “total work of art” – Founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waemdorfer, the Wiener Werkstatte (“Vienna Workshop”) was a collective of architects and craftsmen which aimed at fusing architecture and interior design into a Gesamtkunstwerk, or total work of art. Experimenting with various materials (gold, precious stones, and papier mache, for example), the artists of the Wiener Werkstatte created buildings and objects which combined classical elegance with streamlined functionality. Though the workshop lasted only thirty years, its influence is still strong today.
Exhibition catalogue Standard Bank Gallery Johannesburg 25 September 2007 to 1 December 2007. Contains a fascinating 24pp interview with the artist and many colour photographs. 28 x 30cm 120pp.
The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…
In a brilliant exposition of Kentridge’s output, Stephen Clingman, Distinguished Professor of English at the University of Massachusetts, Amherst, undertakes a series of enquiries, of walks around the artist and his practice, through the various layers and linkages, crossings and connections of his art.
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness is the long-awaited monograph from one of the most powerful visual activists of our time. The book features over ninety of Muholi’s evocative self-portraits, each image drafted from material props in Muholi’s immediate environment.
Out of stockIn June of 2010, William Kentridge asked Denis Hirson to join him in a public conversation at the opening of Cinq Thèmes, the artist’s retrospective exhibition at the Jeu du Paume in Paris. So fruitful was this event that the two decided to have further conversations, public and private, whenever the time and the occasion seemed right. Nine engagements followed, allowing them to explore at great length the many issues and themes arising from Kentridge’s work.
Johannesburg, die enigste stad ter wereld wat op goud gebou is, het in 1986 honderd jaar geword. Heirdie boek gedenk die geleentheid. Al die groot persoonlikhede en gebeurtenisse wat bygedra het om die geskiedenis van die Goudstad te rig, al die seges en terugslae, word in woord en beeld in herinnering geroep.
These marvelous paper constructions allow us to appreciate in new ways the artist’s impossible geometry and his themes of infinity and paradox. The book also features quotes from Escher on the original pieces of art as well as reproductions of a number of his other works.
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