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The text in this book is essentially the libretto of the chamber opera WAITING for the SIBYL, which was made for the Teatro dell’Opera di Roma and first performed there in September 2019. Music for the opera was composed by Nhlanhla Mahlangu and Kyle Shepherd.
FEATURES – Revolutions – Forms that turn: Carolyn Christov-Bakargiev in conversation with Russell Storer – Spherical and Without Exits: thoughts on William Kentridge’s anamorphic film What Will Come (Has Already Come) by Jane Taylor – Artist pages by William Kentridge – Conceptual Artist Meets Girl: Stuart Ringholt and the art of self-improvement by Sarah Tutton…
Out of stockThese extremely rare prints, most of them made by Cole himself and most never previously exhibited, form the core of this exhibion and book. This book tells the story of Ernest Cole’s life, both in his own words and through the reminiscences and writings of those people who knew him personally and professionally.
Out of stockIn June of 2010, William Kentridge asked Denis Hirson to join him in a public conversation at the opening of Cinq Thèmes, the artist’s retrospective exhibition at the Jeu du Paume in Paris. So fruitful was this event that the two decided to have further conversations, public and private, whenever the time and the occasion seemed right. Nine engagements followed, allowing them to explore at great length the many issues and themes arising from Kentridge’s work.
Johannesburg, die enigste stad ter wereld wat op goud gebou is, het in 1986 honderd jaar geword. Heirdie boek gedenk die geleentheid. Al die groot persoonlikhede en gebeurtenisse wat bygedra het om die geskiedenis van die Goudstad te rig, al die seges en terugslae, word in woord en beeld in herinnering geroep.
These marvelous paper constructions allow us to appreciate in new ways the artist’s impossible geometry and his themes of infinity and paradox. The book also features quotes from Escher on the original pieces of art as well as reproductions of a number of his other works.
Ponte City dominates the Johannesburg skyline. This unavoidable 54-storey apartment building on the Berea ridge has become an icon of the city it towers over.
Incorporating elements of graphic design and ranging freely from discussions of Plato’s cave to the Enlightenment’s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge.
Steven Cohen is a pioneering artist whose work provocatively confronts issues of identity. Best known for his live performances, Cohen appears not only on stage and in galleries but also, uninvited, in public spaces.
Deborah Bell is a leading Johannesburg painter and sculptor whose work is created in dialogue with multiple worlds, texts, histories and consciousnesses. She is also widely known for her collaborative projects with William Kentridge and Robert Hodgins. Bell’s drawings, etchings and monumental clay sculptures possess a kind of ‘mystical godliness’
TAXI-012 SANDILE ZULU, the 12th title in the TAXI Art series, is the first book on the work of Sandile Zulu. Over the last decade, Zulu has developed a working method that relies as much on rhythm and repetition as it does on the unpredictability of the elements – fire, water, found objects – he uses. He is, as Colin Richards notes in his meticulously researched essay, a pyromancer, a collector of natural elements, and a scavenger after industrial debris.
The 13th book in the TAXI Art Book series of monographs, this title looks at the work of Diane Victor, with essays by Elizabeth Rankin and Karen von Veh.
Mmakgabo Sebidi traverses mental and physical landscapes with an eye trained on the dangerous, the discomfiting, the traumatic and the ecstatic in human experience. She is deeply grounded in her rural upbringing and traditions but also finely attuned to the rhythms of the city in which she has spent much of her adult life. Sebidi brings together these two worlds in works of great visionary and prophetic power. Her themes are wide-ranging: her cultural roots, the wisdom of the ancestors, the ravages of the modern world on the human psyche, the loss of tradition, the potential of human creativity to build relationships and restore the past.
Paul Stopforth is known in South Africa for work that comments on the harshness and injustices of life under apartheid. His art – comprising sculpture, drawing, painting, and printmaking – is not, however, narrowly political but instead occupies a space ‘between the material and the spiritual, imaging finitude and mortality’.
To complement their current exhibition of William Kentridge’s works entitled, Telegrams From The Nose, the Annandale Galleries of Sydney have produced, under Anne Gregory’s guidance, a marvellous book-cum-catalogue, of the same title, which serves as both a handbook to those attending the exhibition, and a valuable read in its own right. The book showcases…
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