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Charles Rennie Mackintosh’s finest work dates from about a dozen intensely creative years around 1900. His buildings in Glasgow, and especially his craggy masterpiece the Glasgow School of Art, are more complex and playful than any other work in Britain at that time.
This book examines the new orientation of ideas on Chinese material culture in early 20th century London under the influence of a circle of enthusiasts and scholars, preeminent among which was George Eumorfopoulos (1863-1939), a Greek origin London businessman and collector.
Hundreds of images by some of the biggest names in photography are organized into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau.
This Compendium brings together all thirteen supplements from the TAXI Art Books series on contemporary South African artists. Each chapter contains an introduction to the artist, worksheets and conceptual and practical projects, fact files, glossaries and bibliography. Learners and teachers are encouraged to draw on thier own resources of imagination and experience and, through discussion, collaboration and reflection, understand the artist’s work and try a variety of art-making exercises. The Compendium includes valuable material on how to conduct research, write art essays, avoid plagiarism, keep a visual diary and do art presentations.
Arguably the most significant book on printmaking published in the last five years, showcasing rare works on paper created for the Paragon Press by 25 leading artists – including The Chapman Brothers, Peter Doig, Damien Hirst and Gary Hume. Edited by Patrick Elliott. Designed by Peter Willberg.
This book is published on the occasion of the twentieth anniversary of The Paragon Press. It offers a survey of the publications of the last five years. The range of artists Charles Booth-Clibborn works with stretches across generations from Alan Davie and the late Terry Frost through to Jake and Dinos Chapman and Gary Hume as well as a younger generation of artists such as Gillian Carnegie and George Shaw.
From its underground genesis during the Cultural Revolution (1966–76), contemporary Chinese art has become a dynamic and hugely influential force in a globalized art world. In this first major introduction to the topic, Wu Hung provides an accessible, focused, and much-needed narrative of the development of Chinese art across all media from the 1970s to the 2000s, a time span characterized by radical social, political, and economic change in China.
A classic study of the history of fashion brought right up to date
Craft South Africa is a celebration of South Africa’s extraordinary wealth of handmade objects and the people who craft them. From elegant traditional water-storage pots made in rural areas to sophisticated silver jewellery fashioned in urban studios, from headdresses that have adorned Zulu maidens for over a century to contemporary tapestries that explore new materials…
Critical Interventions is a peer-reviewed journal of advanced research and writing on African art history and visual culture. Our mission is to provide a forum for cutting-edge scholarship in African art history and for sustained analysis of issues of urgent concern for the discipline that foregrounds both the history of Africa’s modernity and the historiography of African Art History.
The painter and poet Dante Gabriel Rossetti (1828-1882) was one of the founding members of the Pre-Raphaelite Brotherhood in 1848. He is now best known for his sumptuous oil paintings of solitary women from the 1860s and 1870s.
This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora.
Out of stockThe David Krut Arts Resource stall at Editions | Artists’ Books Fair will feature works from the hands of William Kentridge, Penny Siopis, Colbert Mashile and Nathaniel Stern. Meticulously handcrafted etchings, engravings, aquatints, monotypes and much more.
Deborah Bell’s Alchemy was launched to coincide with Deborah Bell’s second solo exhibition at David Krut Projects, Collaborations II, which opened in 2010.
The catalogue tracks the evolution of Bell’s art over the last ten years of collaboration with David Krut Workshop (DKW). The text was taken from a series of conversations between Bell and David Krut.
Design Writing Research is a highly acclaimed critical study of graphic design and typography.
This book examines the work of Duchamp, Man Ray, and Picabia, three pioneering figures in the history of modernism. It explores the points of convergence and the parallels in their development throughout their careers.
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