Who’s Afraid of Contemporary Art?
R220What am I looking at?
What makes it art?
And why does it matter?
Showing 289–295 of 295 results
What am I looking at?
What makes it art?
And why does it matter?
From the late 1970s onward, serious art photography began to be made at large scale and for the wall. Michael Fried argues that this immediately compelled photographers to grapple with issues centering on the relationship between the photograph and the viewer standing before it that until then had been the province only of painting.
This gift book celebrates the highs and lows of the winter season through art drawn from Tate’s collection. Divided into key themes – ‘Seasonal Views & Landscapes’, ‘Religious Imagery’, ‘Celebration & Festivity’ and ‘Friends & Family/Journeying’ – each of the works of art included has been individually selected for the particular way in which the artist has attempted to capture this special time of year.
Azaria Mbatha is one of South Africa’s most important contemporary artists in the last century. This autobiography is rooted in the traditional Zulu heritage of his childhood and the tenets of Christianity imparted by his father. Mbatha weaves his own history into the history of his family, into the history of South Africa and into the history of his time, as he experienced it.
Outsider Art is the work produced outside the mainstream of modern western art by self-taught, untrained visionaries, spiritualists, eccentric recluses, folk artists, psychiatric patients, criminals and others beyond the margins of society and the art market. Coined in 1972, the term in English derived from Jean Dubuffet’s ‘Art
James Trilling presents an immense variety of ornament from the Paleolithic Age to the present day, enabling the reader to appreciate inherent form and beauty, as well as historical importance across cultures – whether in the monumental architecture of Mycenean Greece or the inlaid vessels of Zhou Dynasty China, in the bronze mirrors of early Celtic Britain or the carved or worn ornament of Native Americans.
Writing the City into Being is Bremner’s long-awaited collection of essays, spanning more than a decade of work on Johannesburg. It is both an unflinching analysis of the characteristics of an extraordinary city and a work of imagination – a bringing of the evasive city into being through writing.
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