Showing 257–272 of 295 results

  • The Art of Life in South Africa

    R530
    Daniel Magaziner is associate professor of history at Yale University. He is the author of The Law and the Prophets: Black Consciousness in South Africa, 1968–1977.

    ‘A richly suggestive and moving contribution to South African intellectual history.’ Achille Mbembe, author of Critique of Black Reason

    ‘This book is as important for students of global modernism as it is for scholars of South African art, history, and politics.’ Tamar Garb, author of Figures and Fictions: Contemporary South African Photography

     

  • The Art of the Pre-Raphaelites

    R500

    This lavishly illustrated book concentrates more closely on the visual impact of Pre-Raphaelite art than any previous study.

  • The Big Picture – An Art-O-Biography

    R400

    The Big Picture is Natalie Knight’s an Art-O-Biography-part memoir, part art history -filled with beautiful art images, society photos of the time and the stories behind many of the pieces she sold.

  • Out of stock

    The Big Screen :The Story of the Movies and What They Did to Us

    R450

    The Big Screen tells the enthralling story of the movies: their rise and spread, their remarkable influence over us, and the technology that made the screen?smaller now, but ever more ubiquitous?as important as the images it carries.

  • The Ceramic Art of Robert Hodgins

    R720

    In this title Retief van Wyk documents the ceramic works produced by Robert Hodgins with his assistance and the well researched essays explore the influences which form Hodgins’ art and the nature of the ceramic works.

  • The Dada Spirit

    R190

    Dada. This onomatopoeia suggesting a child’s babbling started one of the most important mutations in the history of art.

  • The Embarrassment of Riches

    R350

    Schama explores the mysterious contradictions of the Dutch nation that invented itself from the ground up, attained an unprecedented level of affluence, and lived in constant dread of being corrupted by happiness. Drawing on a vast array of period documents and sumptuously reproduced art, Schama re-creates in precise detail a nation’s mental state. He tells…

  • Out of stock

    The Kasrils Affair

    R195

    In 2007, Minister Ronnie Kasrils, the highest-ranking Jew in South Africa’s post-apartheid government, launched a campaign against Israeli policy in the occupied territories.

  • The London Art Schools

    Since 1960, progressive forces within art education have fired new impulses in the field of artistic production. As society at large embraced youth and popular culture, art-school students with international aspirations tore down class barriers, fused fashion with pop, and insisted that art was integral to social change.

  • Out of stock

    The Mlungu in Africa: Art from the Colonial Period, 1840-1940

    R400

    This work examines African art that engages with the presence of white people in the ‘contact zones’ and colonial states in sub-Saharan Africa.

  • The Most Popular Art Exhibition Ever

    R270

    Conceived in parallel to Grayson Perry’s exhibition The Most Popular Art Exhibition Ever!, this catalogue brings together visual material and texts that expand on the themes raised in the show.

    .

  • The Pre-Raphaelites (Colour library series)


    The Pre-Raphaelite Brotherhood had a dynamic influence upon the Victorian era. The painters, including Dante Gabriel Rossetti, William Holman Hunt and John Everett Millais, fought against an increasing mechanized society to establish the artist as a creative individual, attempting to raise art from the triviality into which it had fallen.

  • The Prints of Wilhelmina Barns-Graham – A Complete Catalogue

    The Prints of Wilhelmina Barns-Graham – A Complete Catalogue is the first book to provide a full account of the printmaking career of British artist Wilhelmina Barns-Graham, with particular reference to the technical innovations she pioneered while working in association with master-printers.

    Wilhelmina Barns-Graham experimented with a variety of printmaking techniques, finally discovering her ideal means of expressions in screenprinting. Through partnerships with innovative printmakers, the artist experimented with new techniques and materials that allowed her to create prints which, in their intensity of colour and precision of design, have the quality almost of paintings.

    Based on new research, and drawing on information contained in her numerous diaries, The Prints of Wilhelmina Barns-Graham incorporates a complete illustrated catalogue of all her known work in etching, linocut, lithography, screenprinting and monotype, from 1946 to 2007. It considers her work in relation to that of other British artists, especially those connected with the St Ives school, and examines her prints in relation to her work in other media, in particular, her paintings. This book will prove an invaluable resource for museum curators, students of British art and twentieth-century abstraction, and all those seeking to learn more about this aspect of the career of one of Britain’s most important artists of the late twentieth-century.

  • The Saatchi Gallery 100

    R300

    rt that was “headbuttingly impossible to ignore” is how Charles Saatchi describes the work that intrigued him as he started to collect British art in the early 1990s. Damien Hirst’s giant shark in formaldehyde, Tracey Emin’s unmade bed and a chilling

  • The Sculpture 100

    Touring through England’s great outdoor museum of public sculpture, this unique and beautifully-photographed film features works by, among many others, Jacob Epstein, Eric Gill, Henry Moore, Barbara Hepworth, Richard Deacon, Anish Kapoor and Rachel Whiteread.

  • Out of stock

    The Sorcerer’s Apprentice – Picasso, Provence, and Douglas Cooper

    R300

    John Richardson brings the same dazzling narrative style to this memoir as he did to Volumes I and II of A Life of Picasso. Robert Hughes called the second volume “a masterpiece in the making, the most illuminating biography yet written on a twentieth-century visual artist and the only one that can sustain comparison with Painter on Proust, Ellman on Joyce, or Edel on Henry James”; he also praised Richardson’s “crispness of writing” and “impressive eye for the offbeat or scandalous detail.” All these qualities conspire to make The Sorcerer’s Apprentice a brilliant and fascinating chronicle.