The Story of Art Without Men
R810How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?
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How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?
From the stolen Wakandan art in Black Panther, to Emmanuel Macron’s recent commitment to art restitution, and Beyoncé and Jay Z’s provocative music video filmed in the Louvre, the question of decolonising our relationship with the art around us is quickly gaining traction. People are waking up to the seedy history of the world’s art collections, and are starting to ask difficult questions about what the future of museums should look like.
In The Whole Picture, art historian and Uncomfortable Art Tour guide Alice Procter provides a manual for deconstructing everything you thought you knew about art, and fills in the blanks with the stories that have been left out of the art history canon for centuries.
A bold new critique of the accepted history of figurative painting in the twentieth century.
In The World New Made, critic Timothy Hyman argues that abstraction was just one of the means by which artists renewed pictorial language. Focusing on those painters who bucked tradition and opted for a new kind of figuration, Hyman presents them as a countermovement to the sometimes oppressive stylistic imperative that set in as Cubism became a movement. Around the world, artists such as Max Beckmann, Fernand Léger, Balthus, Paula Rego, Marc Chagall, Stanley Spencer, R. B. Kitaj, Philip Guston, Picasso, Matisse, Lucian Freud, and others found an idiom for human-centered painting. Together they offer a counterargument to Western formalism, but also a foundation for the figurative painters of the twenty-first century.
Catalogue from the exhibition “Trans positio ns – Five Swedish Artist in South Africa” which was on display between 28/3-10/5 1998 at The South African National Gallery, Cape Town, in collaboration with Moderna Museet. It included works by: Elisabet Apelmo, Matts Leiderstam, Annika Lundgren, Elin Wikström and Måns Wrange.
Uncertain curature is a volume of bold and original explorations of the archive – the past, our material inheritance – and the ways it is displayed, interpreted and given meaning in the postcolonial world of South Africa. This operation on the past – what the authors have called ‘curature’ – can be seen as the postcolony’s way of rescripting its own history, which is both a trauma to be dealt with and a resource for the future.
In this volume, 50 masterpieces by Vincent van Gogh (1853–90) from the prestigious Kröller-Müller Museum in Otterlo―which houses one of the greatest Van Gogh collections―document the Dutch painter’s entire career, on the eve of the 170th anniversary of his birth.
London is one of the world’s great cities for visual arts. Walks of Art takes you on ten walking tours of public modern art in the heart of the city. It is an illustrated map which comes in a cardboard pouch making it easy to carry around.
The first installment in an epic catalogue raisonné of Kentridge’s linocuts, etchings, monotypes, posters and more… William Kentridge (born 1955) has been creating poignant, clever and visually arresting works across a variety of mediums for more than five decades. This book focuses on his long-standing relationships with printmaking and poster design. Over the past three…
Witches & Wicked Bodies provides an innovative, rich survey of images of European witchcraft from the sixteenth century to the present day. It focuses on the representation of female witches and the enduring stereotypes they embody, ranging from hideous old crones to beautiful young seductresses. Such imagery has ancient precedents and has been repeatedly re-invented by artists over the centuries, to include scenes with corpses and cauldrons, caverns and kitchens, and the dead being raised through demonic or satanic rites – all inversions of an ordered and religious social world.
This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution.
Focusing on fifty diverse women artists, from Lavinia Fontana and Artemisia Gentileschi through Judy Chicago, Ana Mendieta and the Guerrilla Girls.
Autumn examines of the most beautiful, transformative and amusing expressions of the autumn season using works drawn from Tate’s collection.
Divided into key themes – ‘Fields of Gold’, ‘A Bountiful Harvest’, ‘Leisure’, ‘Symbolism’, ‘Bump in the Night’ and ‘Abstraction’ – this little book considers how the traditional season of harvest and falling leaves has influenced artists over centuries.
This luxury guide to the highlights of the Tate Britain’s collection provides an essential introduction to the extraordinary development of British art over the centuries, telling the story of the collection and presenting a selection of the stunning works on display. It’s a lavishly illustrated, beautiful collection of highlights from the Tate collection over the past 500 years.
In the World presents a collection of essays by Cape Town cultural analyst and art critic Ashraf Jamal focused on 24 South African artists working in painting, photography, sculpture and performance. Aimed at a wide, international audience, the texts reconfigure the national narrative of South African art within a broader African and global context. From identity politics to the boom of “African art” in a global contemporary art market, Jamal explores a variety of issues at the heart of South African art practice.
Following Winter and Spring, this elegant gift book captures the hazy beauty, warmth and longer days of summer, illustrated with artworks from Tate’s collection.
Summer, both languid and fiery, has never ceased to be a source of inspiration. In Summer, works of art – including paintings, drawings, photographs, illustrations and installations – are punctuated by brief captions offering additional information about the art, artists and their subjects.
Each chapter of this inventive consideration of American culture evokes an actual meeting between American writers and artists.
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