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Pop artist, painter of modern life, landscape painter, master of color, explorer of image and perception?for six decades, David Hockney has been known as an artist who always finds new ways of exploring the world and its representational possibilities.
For well over a hundred years certain artists have blurred the distinction between ‘art’ and ‘design’, creating works for which Alex Coles has coined the term ‘DesignArt’.
First published in 1930 in a limited edition of only 500, Disavowals is recognised as Claude Cahun’s key work and a lost masterpiece of Surrealist literature. It is now made available to an English-speaking readership for the first time.
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Out of stockThis richly illustrated book introduces Manet’s work and his uniquely influential combination of Realism, Impressionism, and reworked Old Masters that would become paradigms of a brave new world for generations of modernists to come.
This fresh and engaging survey of El Greco’s work explores varied aspects of the artist’s career—his aesthetic education in Italy, the mixed reception of his mature works in Spain, his uncompromising approach to business, and the baroque logistics of his Toledo workshop—and reveals the depth of El Greco’s astounding ambition.
In El Lissitzky on Paper, Samuel Johnson argues that Lissitzky’s commitment to creating works on paper is a constant that unites his endeavors. Paper played a key role in the utopian projects that informed Lissitzky’s work, and the artist held a commitment to print as the premier medium of immediate public exchange. Johnson analyzes and contextualizes this idea against the USSR’s strict management of this essential resource and the growth of new media communications, including the telephone, telegraph, and film.
This survey explores ways artists across Europe have turned to printed mediums, from woodcut to wallpaper, in a quest to expand their creative thinking. It presents the work of 118 artists, collectives, and journals from twenty countries in thematic sections, accompanied by in-depth texts that place this work in a historical context. Traditional etchings, lithographs, and screenprints as well as unusual book formats, editioned sculptural objects, postcards, and even shopping bags and record jackts are represented, demonstrating the vitality artists have brought to printed art in the contemporary period.
Out of stockA beautifully illustrated book that explores the history and legacy of the House of Fabergé, from its origins in Russia–and its role in the glamorous world of the Romanovs–to global recognition.
A fascinating insight into the lives and work of a remarkable range of contemporary artists Conducted by Richard Cork, one of the UK’s most distinguished art writers, these intimate and revealing interviews provide a wealth of fascinating insights into the work of leading British artists. They discuss, often very frankly, their lives and art, their working methods and aspirations. The collection features an array of highly engaging and articulate artists, from Frank Auerbach, Anthony Caro, Richard Hamilton, David Hockney and Howard Hodgkin to Cornelia Parker, Tacita Dean, Grayson Perry and Rachel Whiteread.
Statues are one of the most visible – and controversial – forms of historical storytelling. The stories we tell about history are vital to how we, as societies, understand our past and create our future. So whose stories do we tell? Who or what defines us? What if we don’t all agree? How is history made, and why? FALLEN IDOLS looks at twelve statues in modern history. It looks at why they were put up; the stories they were supposed to tell; why those stories were challenged; and how they came down. History is not erased when statues are pulled down. If anything, it is made.
Out of stockIncluding 350 color plates, Fantastic Women showcases their paintings, drawings, photography, films, and other artworks that create a powerful case for the recognition and celebration of the surreal and fanciful work of the women artists of the avant-garde.
Felt is the oldest fabric known to mankind; its earliest examples date back to 6,500 B.C. In recent years, the fabric has found contemporary applications in an extraordinary range of fields, including product design, fashion, architecture and home furnishings. Felt’s first revival in modern times occurred as a part of the fiber-arts movement of the 1970s; the 1990s saw a surge of innovations in its production, triggering the current resurgence of interest in the fabric. A combination of scholarly research into its history, the exploration of its technical applications and sustainability issues have inspired many leading artists and designers to work with felt. Fashioning Felt examines this recent explosion of interest. Published in conjunction with a major exhibition at the Smithsonian’s Cooper-Hewitt, National Design Museum, it presents handmade and commercially produced designs for felt, and explores through essays and full-color illustrations the material’s rich history.
This catalogue was published on the occasion of the exhibition at Timothy Taylor Gallery in 2003.
In a telegram dated 29 April 1963, thirty-year-old Afrikaans poet Ingrid Jonker thanks André Brink, a young novelist of twenty-eight, for flowers and a letter he sent her. In the more than two hundred letters that followed this telegram, one of South African literature’s most famous love affairs unfolds. Jonker’s final letter to Brink is dated 18 April 1965. She drowned herself in the ocean at Three Anchor Bay three months later.
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