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Lucian Freud was one of the most significant artists of the twentieth and early twenty-first centuries, and Phaidon is honored to publish the most complete retrospective of his career to date. This sumptuous, definitive set is the result of an extraordinary collaboration between David Dawson – Director of the Lucian Freud Archive and for two…
Käthe Kollwitz (1867–1945), Paula Modersohn-Becker (1876–1907), Gabriele Münter (1877–1962) and Marianne Werefkin (1860–1938) are among the exceptional artists associated with the emergence of Expressionism in Germany in the early decades of the 20th century. Each challenged prevailing ideals of feminine identity at a time of great societal change. As women, they were expected to marry and raise a family; some chose to, some did not. As ambitious artists, they wanted to work.
As they rose to these challenges, their art further undermined conventions. Their portraits of children symbolize joy, hope and innocence but also melancholy, tension, curiosity, the passing of time and unfulfilled desire. Their radical depictions of the nude wrest the female body away from the male gaze toward a newfound role, expressive of powerful maternity and female subjectivity.
Published in connection with an exhibition at Photo Elysée and in the centenary year of the publication of André Breton’s Surrealist Manifesto, this book presents more than 150 of Man Ray’s portraits, primarily from the 1920s and 30s.
Man Ray (1890-1976), a pioneer of the Dada movement and a central protagonist of surrealism, is best known for his innovative photographs, but his writings are also remarkable expressions of his identity as an artist. The first extensive collection of Man Ray’s texts about art in English, Man Ray: Writings on Art illuminates the diverse ways in which the artist used words to express his aesthetic, philosophical and political ideas. Richly illustrated and drawing on a broad range of materials, including artists’ books, essays, interviews, letters and visual poems, this collection presents the artist’s most significant writings about art, many of them never previously published. Offering a long overdue vision of Man Ray as someone who used words both as a creative medium and as a means of articulating ideas about the nature and value of art, it provides a powerful insight for students and scholars of modern art, as well as for artists, photographers and all those who count themselves as Man Ray fans.
This beautiful book examines the influence of the artist’s travels on his oeuvre. It presents Rothko’s engagement with important classical and Old Master works, highlighting older techniques and ideas that the artist may have sought to emulate.
This publication focuses on a number of works that have recently received conservation treatment at the Tate Gallery in London. They were selected for their technical, as well as their art historical importance, and both these aspects are discussed.
Mermaids are blessed with one tail or two, are as happy in freshwater as salt, and boast an ancestry that stretches from the classical world to the present, pre-dating Homer’s sirens and which will outlive the blood-thirsty nymphs of Pirates of the Caribbean. The mermaid expresses our reliance on the sea for food and trade and draws on our fear and fascination of the unknown depths.
My essay comprises family portraits, landscapes and still lifes. This was largely determined by the equipment I was using at the time: a tripod-mounted, large-format camera.
Central to all of Michelangelo’s artistic endeavors were his drawings, in which his creative ideas originated, evolved, and were perfected. This handsome book takes a fascinating tour of the artist’s drawings by looking at highlights––ranging from unfinished sketches to delicate, refined studies––all of which are located in the exceptional collection of the British Museum. Included are studies of some of Michelangelo’s most famous works such as the Sistine Chapel ceiling and the Last Judgement.
The first properly posthumous retrospective on the artist, this paperback exhibition book highlights the significance of Mike Kelley’s influential four-decade career on the development of art since the 1970s.
This book offers an unprecedented dialogue between the paintings of Monet and Rothko, two artists who explored the frontiers of abstraction. It explores the uncanny similarities between their works, painted almost half a century apart, as well as the significance of the differences between the master artists’ styles.
My Brilliant Friend is a rich, intense and generous hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.
Cleaning the studio made me feel special, downtrodden and loved for all the wrong reasons. The floor was marked with a brush and thinned paint to establish the position of any furniture that was in use, the painted hieroglyphics of no particular colour but indelible so that everything could be repositioned and put back between sittings, all the functional lines alive and purposeful like his handwriting.
This monographic book gives an extensive overview of the artistic work of Ndidi Dike – one of Nigeria’s most dedicated and focused artists.
A cornucopia of etchings by artists from Mona Hatoum to Wangechi Mutu―from the studio of the great American master printer
New Surrealism: The Uncanny in Contemporary Painting by Robert Zeller offers a sweeping exposition of both historical Surrealism and its legacy in the world of contemporary art.
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