Showing 81–96 of 228 results
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R250Fusing European influences such as Cubism with a socialist ideology and an exaltation of Mexico’s indigenous and popular heritage, he created a new iconography for art history and for his country. He became one of the most important figures in the Mexican mural movement and won international acclaim for his public wall paintings, in which he presented a utopian yet accessible vision of a post-revolutionary Mexico.
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R750A quiet revolution in painting that seeks to overturn fast-paced art production
British curator and writer Martin Herbert brings together in this volume the works of 19 contemporary painters that share a common stance that has come to be identified as “slow painting,” referring both to its creation and its apprehension by the viewer. Moving from representation to abstraction, these artists insist on the phenomenological experience, creating works that reveal themselves slowly, as a riposte to the contemporary tendency toward an art that is “fast,” quickly made and then consumed.
With 50 illustrations, Slow Painting includes an essay and curatorial overview by Martin Herbert and round-table interview with Hettie Judah.
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R560So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.
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R420Classic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets. Claudia Walde has spent over two years collecting alphabets by 154 artists from 30 countries with a view to showing the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa) and Hera (Germany); others are lesser known or only now starting to emerge. Each artist received the same brief: to design all 26 letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them. The results are a fascinating insight into the creative process.
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R625An absorbing group biography revealing how exiles from war-torn France brought Surrealism to America, helping to shift the centre of the art world from Paris to New York and spark the movement that became Abstract Expressionism.
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R150Published to accompany a display at Tate Britain in March-June 2009, this book will illustrate and explore the work of eight Polish artists who were leading figures in the Symbolist movement.
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R1125The African Gaze is a comprehensive exploration of postcolonial and contemporary photography and cinema from Africa. Drawing from archival imagery and documents, interviews with the photographers and filmmakers (in some cases family members/close associates if the artist is deceased), and contributions from writers, scholars and curators, it maps a comprehensive introduction to African moving and still imagery.
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R625Art historian and curator Elizabeth Jacklin’s The Art of Print: From Hogarth to Hockney is a concise and beautifully illustrated introduction to printmaking that uses highlights from Tate’s extensive print collection.
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R250Sometimes traditional, sometimes contemporary, often touching and occasionally telling, placed together these beautiful images create a fascinating and enlightening journey through the visual portrayal of cats in Western art.
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R250Perfect for the dog-loving art hound in your life, this hardback gift book showcases the most endearing, thoughtful and amusing depictions of dogs drawn from Tate’s collection.
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R340Extensively illustrated and featuring Duchamp’s own writings, The Duchamp Book provides a much needed, accessible introduction to the artist.
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R130The Lindisfarne Gospels is an eighth-century masterpiece of Celtic illumination. After careful study, Aidan Meehan has beautifully redrawn more than fifty designs that appear on its pages. Each one has been taken from its amazingly intricate background, often extricated from other entangled ornaments, and enlarged.
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R250Featuring a selection of her finest work, including portraits of her friends Picasso, Ernst and Miro, Penrose’s tribute to his mother brings to life a uniquely talented woman and the turbulent times in which she lived.
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R550Shocking, witty and always entertaining, Morris’s tales illuminate the striking variation in approaches to the Surrealist philosophy, both in the artists’ work and in their lives.
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R300In THE MIRROR AND THE PALETTE, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery. This is a dazzlingly original and ambitious book by one of the most well-respected art critics at work today.
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R700Though deeply engaged with painting and drawing, Toulouse-Lautrec’s lasting contribution to artistic practice was as a graphic artist. Through his prints and posters, advertisements, and contributions in reviews and magazines, he brought the language of the late-nineteenth-century French avant-garde to a broad public. He ushered in the first print boom of the modern era; taking advantage of lithography’s new potential for colour and scale, he made both posters for the streets of Paris and prints for the new bourgeois collector’s living room. During his short career, he created more than 350 prints and 30 posters, as well as lithographed theatre programmes and covers for books and sheet music. The Museum of Modern Art’s collection of this material is stellar, encompassing over 100 prints and posters, his most important book projects, and many magazines, journals and other examples of printed ephemera. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department of Drawings and Prints at MoMA, this publication presents thematically organized groupings of Toulouse-Lautrec’s prints from the Museum’s collection, each accompanied by an illuminating essay on the theme.