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A central figure in pop art, Andy Warhol (1928-1987) was one of the most significant and influential artists of the later twentieth century. In the 1960s he began to explore the growing interplay between mass culture and the visual arts, and his constant experimentation with new processes for the dissemination of art played a pivotal role in redefining access to culture and art as we know it today.
Born in Bangor, Wales, in 1949, Richard Deacon has been at the forefront of sculpture for the last 35 years and was awarded the Turner Prize in 1987.
Terry Frost, one of the most important painters working in Britain in the 1950s, is now a senior artist renowned for the exuberance and joy of his paintings.
This newest addition to the Little Book series publishes to coincide with a major Vuillard retrospective opening at the National Museum, Washington D.C. mid-January 2003. The exhibit travels to Montreal in the Spring and then to Europe. In The Little Book of Vuillard (1868- 1940) we have the authority of French curators, a full color…
There are some artists for whom ‘popular’ is a bit of a dirty word. Grayson Perry is not one of them. He thinks art shouldn’t be an exclusive club for people who ‘get’ it, but for everyone – that’s why his new show is called The Most Popular Art Exhibition Ever!
Pablo Ruiz Picasso (1881-1973) was the most prolific artist in the history of Western art, producing over two thousand oil paintings, as well as sculptures, ceramics, collages, prints, photographs, drawings and jewellery designs. Drawing extensively on recent research, this book provides an overview of the full range of Picasso’s art and career.
This luxurious publication presents the sculptures of Picasso photographed by Brassai, one of the most important photographers of the 20th century.
This is easily the best introduction to Turner that I have read in quite a while. It provides an informed audience with an excellent synthesis of the key issues regarding the artist’s life, work, and era… The Turner that emerges here is one that I find entirely congenial and transfixing and the Turner that a larger public should come to know.’ – Professor Kathleen Nicholson, author of Turner’s Classical Landscapes: Myth and Meaning.
He was famous throughout Italy for his fulminating temper, but also for his radical and sensitive humanization of biblical stories, and in particular his decision to include the brutal and dirty life of the street in his paintings. Caravaggio was a rebel and a violent man, but he eyed the world with deep empathy, realism, and an unrelenting honesty.
Paul Cézanne challenged convention, and proposed new possibilities for modern art. He was remarkable for his ability to perceive and paint everyday places, people, and things in ways that revealed the multiplicity and beauty of vision, while also unveiling the deep, cohesive structures of the visible world.
Salvador Dali is one of the most popular artists in the world, known for his lavish lifestyle, gravity-defying mustache, and bizarre art. This book tells the story of Dali’s life and explores the meaning of his Surrealist paintings.
Antoni Gaudí has a reputation as monastic, mad, and hermetic. But the architect of many of the buildings that define Barcelona’s cityscape was no mad eccentric. He was a genius inspired by his faith in nature and the divine.
Paul Gauguin created some of the most advanced art in a brilliant generation of artists – all of whom struggled against the stifling conformity of the late 19th century’s artistic mainstream.
Modern art begins with Goya. He was the first to create works of art for their own sake, and he lived in a time of incredible cultural and social dynamism when the old concepts of social hierarchy were being shaken by the new concept of equality for all.
In the history of twentieth century modernism, Henri Matisse is a calm and unstoppable revolution of creative genius.
Claude Monet is best known as a leader of the Impressionists, his paintings defining the style that triggered a revolution in art. During the eighty-six years of his life, Monet never rested, and was always driven by the urge to paint.
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