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    A Just Society
    R300.00 inc. VAT

    Drawing inspiration from the work of the Truth and Reconciliation Commission, a restorative justice body assembled in South Africa after the abolition of apartheid, Georgette created this provocative and moving series entitled “A Just Society”.

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    Caps: Visual Arts Grade 12 Teacher’s Guide
    R280.00 inc. VAT

    This accompanying guide is an excellent resource for those teaching Visual Arts

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    Fire Walker
    R395.00 inc. VAT Add to cart
    Handspring Puppet Company (Hardcover)
    R650.00 inc. VAT

    Handspring Puppet Company was founded by Basil Jones, Adrian Kohler, Jill Joubert and Jon Weinberg in 1981. They have produced eleven plays and two operas, collaborated with many different artists including Mali’s Sogolon Puppet Troupe and South African artist William Kentridge which opened in over 200 venues in South Africa and abroad.

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    Handspring Puppet Company (Soft Cover)
    R250.00 inc. VAT

    Handspring Puppet Company was founded by Basil Jones, Adrian Kohler, Jill Joubert and Jon Weinberg in 1981. They have produced eleven plays and two operas, collaborated with many different artists including Mali’s Sogolon Puppet Troupe and South African artist William Kentridge which opened in over 200 venues in South Africa and abroad.

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    William Blake: Seen in my visions – A Descriptive Catalogue of Pictures
    R260.00 inc. VAT

    In 1809 William Blake was an obscure poet and engraver with little or no reputation. When he held an exhibition of his work in a private house in Soho in the west end of London it was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the writer Charles Lamb, who later reserved special praise for the catalogue that accompanied the show, describing it as ‘mystical and full of visions’.

    The catalogue reveals much about the ambition of the man who was to become one of the most unique and highly regarded artists and writers of his time, with a worldwide reputation that continues to grow. In it we learn of his theories about painting, read his unsparing critiques of other artists and gain some extraordinary insights into the workings of his mind. Part commentary and part manifesto, it is as radical as it is in places eccentric.

    Fully illustrated in colour with reproductions of all his surviving works from the original exhibition, the book also includes an essay by Martin Myrone, a leading authority on British art of the period, making it an essential purchase for all those wanting to know more about the life and work of this fascinating and enigmatic figure.

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