R200.00 inc. VAT
Braam Kruger (1958 – 2008) – Retrospective Exhibition Catalogue
An exceptional retrospective exhibition of oil paintings by Braam Kruger (1950 -2008) was hosted by the UJ Art Gallery during September and October 2009. The exhibition comprised of works mainly from private collections and included several paintings that have not yet been seen by the general art fraternity.R400.00 inc. VAT
An essential publication for followers of the influential painter Bridget Riley, this exhibition catalog traces the artist’s progress through the agency of stripes, planes and curves through her paintings and studies from the past 30 years. Riley’s early color paintings were strongly influenced by the discoveries of Seurat and the Impressionists.R195.00 inc. VAT
David Krut Projects is pleased to present Print Me, the first exhibition dedicated to Chakaia Booker’s prints. Booker began collaborating with Master Printer, Phil Sanders, of Robert Blackburn Printmaking Workshop in 2009, and has created over 100 unique prints to date.R700.00 inc. VAT
Intersections Intersected for the first time presents in print carefully constructed pairings of images that were taken before and after the South African watershed.R150.00 inc. VAT
Deborah Bell’s Alchemy was launched to coincide with Deborah Bell’s second solo exhibition at David Krut Projects, Collaborations II, which opened in 2010.
The catalogue tracks the evolution of Bell’s art over the last ten years of collaboration with David Krut Workshop (DKW). The text was taken from a series of conversations between Bell and David Krut.R250.00 inc. VAT Add to cartR50.00 inc. VAT
For more than a decade, a Johannesburg garage held a marvellous secret: an archive of over 1,400 photographic negatives produced by Kitty’s Studio in Pietermaritzburg between 1972 and 1984. Poor and working-class patrons ”classified by the apartheid government as African, Indian and coloured” came there to be photographed by Singarum Jeevaruthnam Moodley (1922-1987), a.k.a. Kitty, and members of his family.R400.00 inc. VAT
Figuring Faith seeks to understand how faith and art intersect in the African context. It sheds light on the ways in which art explicates, exemplifies and challenges beliefs and rituals, and brings new insights to our understanding of art’s relationship to the human desire for transcendence.R100.00 inc. VAT
2013 marked the centenary of the birth of Francois Krige (1913-1994). David Krut Projects celebrated the occasion with an exhibition of his work curated by Justin Fox, nephew of the artist and authority on his life and art. In addition to self-portraits spanning Krige’s career, the exhibition presents a selection of significant works on paper over six decades.R100.00 inc. VAT
To accompany Gary Schneider’s exhibition, Skin, at David Krut Projects in 2011, a catalogue was produced in which Kate McCrickard addresses Schneider’s methods and techniques. It is a valuable resource towards understanding the photographer’s work.R520.00 inc. VAT
Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art capitals of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann’s work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power.R200.00 inc. VAT
This catalogue features an essay by Johannesburg Art Gallery curator Khwezi Gule, and an interview with Gaba by Joost Bosland highlighting the importance of humour and play in Gaba’s work.R550.00 inc. VAT
The accompanying catalogue to the first major exhibition to consider the relationship between the photographic medium and the history of abstraction in the twentieth century, on display at London’s Tate Modern.The exhibition catalogue will be arranged in a broadly chronological way to tell the story of photography and its relationship with abstraction from around 1915 to the present day, and will include historic works in a variety of media from painting and sculpture to montage and kinetic installations.R100.00 inc. VAT
The catalogue, “Be Careful In The Working Radius, was printed alongside the namesake exhibition. This exhibition is the culmination of the most recent work Stephen Hobbs has been making at DKW.
Early in his career, Stephen Hobbs recognised the need to develop his practice across the disciplines of artistic production, curatorial practice and cultural management. Through committed urban investigation and experimentation, focused primarily on Johannesburg since 1994, he has sustained a dialogue with urban space through video, installation, curated projects, photography and sculpture.Have no product in the cart!