R150.00 inc. VAT
The book, entitled William Kentridge Flute, will trace the process of Kentridge’s creation of The Magic Flute, his astounding collaborations that produced Black Box, and the host of other works that flowed out of preparations for these two important productions.R285.00 inc. VAT
The publication I Am Not Me, The Horse Is Not Mine (a Russian peasant expression used to deny guilt) is published by the Goodman Gallery, and contains a series of essays lecture notes, lecture extracts and commentary by William Kentridge on the eight films and performance event that was first presented to international acclaim at the Sydney Biennale, 2008.R900.00 inc. VAT
Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which William Kentridge has embellished with black ink drawings of what might seem at first to be animal silhouettes.R280.00 inc. VAT
David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.
This is the first book to document the work of this extraordinary artist, who exploded on the international art scene in 1997 after working for some 20 years little known outside of his native South Africa. The images in Kentridge’s films depict political realities, expressed in terms of individual human suffering.R1,500.00 inc. VAT
William Kentridge is well known for his films, drawings, and theatre productions, but he began his artistic career learning etching at the Johannesburg Art Foundation under Bill Ainslie. He spent two years teaching printmaking at the Foundation and his earliest exhibitions featured his monotypes and etchings such as the Domestic Scenes series.R2,500.00 inc. VAT
South African artist William Kentridge (b. 1955) has produced an outstanding body of work in multiple mediums: drawings, animations, sculptures, theater and stage design – all of which trace the fraught political and cultural history of South Africa. This book is the first to explore Kentridge’s extraordinary new series of seventeen large-scale tapestries, created under his artistic direction by a team of South African weavers between 2001 and 2007.R1,750.00 inc. VAT
The Refusal of Time combines music, readings, dance, chants, videos, drawings and performance and brings Kentridge’s questioning of the notion of time to the stage. Echoing this theatrical performance that is constantly evolving, the book is a mise en abyme: it presents highlights from the show, drawings that were especially produced by the artist for the book, many sketches and study notebooks, all of the texts read during the performance, as well as interviews with Peter Galison and images from the workshop.
Triumphs and Laments is not only a celebration of William Kentridge’s (born 1955) monumental frieze drawn along the banks of the Tiber River in Rome and the performance which inaugurated it, but a gorgeously produced guide to one of his most memorable and ambitious projects to date.R342.00 inc. VAT
Wim Botha won the Standard Bank Young Artist award for Visual Art 2005. This wonderfully produced catalogue documents the eight years of work leading up to that achievement.R750.00 inc. VAT
Wired presents a distinctive art form created within the rich cultural context of contemporary Zulu/South African culture. The book showcases hundreds of extraordinary, colourful telephone wire baskets – a craft based on Zulu traditions, using recycled materials.