R300.00 inc. VAT
A Decade of American Contemporary Prints: 1999-2009 provides an overview of a unique roaming survey exhibition of print projects published by The LeRoy Neiman Center for Print Studies at Columbia University over a 10-year period.R170.00 inc. VAT
A softcover catalogue for the exhibition of the artist’s work at Goodman Gallery Cape in April 2008, and Goodman Gallery Johannesburg in February 2009R250.00 inc. VAT Add to cartR375.00 inc. VAT
Etching today is regarded as the old man of printmaking, its roots lying with alchemists and armourers. It has slowly evolved over the centuries, taking and incorporating new developments such as photography in its stride.R500.00 inc. VAT
Far more than being about a single artwork, this book participates in the myriad conversations and debates on the meaning of public art. The essays prise open critical questions about public space in Johannesburg; Oliver Barstow’s interviews with the various collaborators on the sculpture reveal the complexities and challenges of creating such a massive work in so short a time; and the images by John Hodgkiss of the making of the sculpture, alongside two photo essays suggest the metaphorical power of Fire Walker as well as the fragile hold of street vendors over their small share of city space.R600.00 inc. VAT
“Grand Scale” brings to light rare surviving examples of mural-size prints – a Renaissance art form nearly lost from historical record.R250.00 inc. VAT
Directing his pointed wit at the upper echelons of 18th-century British society, William Hogarth, a painter, printmaker, and social critic, mocked the politics and customs of his day. His series of satirical paintings and engravings, which still absorb viewers after nearly three centuries, record human vice and folly with a sharp eye and cutting intelligence.R320.00 inc. VAT
Is it a woodcut, an etching, or a lithograph? Is it an original stipple engraving or a photogravure reproduction? Is the colour printed or added by hand?
Since its first publication in 1986, this comprehensive guide has established itself as the essential reference book for print and book collectors, dealers in prints and illustrated books, art librarians, art professors and students, and everyone interested in graphic art.R200.00 inc. VAT
Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printshops over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression.R480.00 inc. VAT
Well-known as a sculptor, Kiki Smith has also worked extensively as a printmaker – in fact her printed works and other editioned art, including books and multiples, are arguably as important as her sculpture.R600.00 inc. VAT Add to cartR550.00 inc. VAT Add to cartR250.00 inc. VAT
Patrick Caulfield was a student at the Royal College of Art between 1960-63 alongside David Hockney and Allen Jones. His subject matter draws more from the masters of modern art such as Braque and Gris than from the consumer culture that preoccupied his fellow students.R600.00 inc. VAT
Published to accompany the exhibition at the British Museum in 2012 with a preface from Neil MacGregor, this remarkable book explores Picasso’s most important group of etchings, the Vollard Suite.
This fully updated edition includes expanded chapters on digital and mixed media processes, and a brand new ‘Print & Make’ chapter, which explores the opportunities for creative expression within the many processes available to print makers.Have no product in the cart!