R305.00 inc. VAT
1000 Symbols traces and reveals the historical and cross-cultural significance of 1000 commonly recognized symbols in a comprehensive single-volume dictionary for students and the general reader, placing each symbol in its historical and cultural context.R180.00 inc. VAT
What is the first thing to learn in art school? “Art can be anything.” The second thing? “Learn to draw.” With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts.R320.00 inc. VAT
This collection of Walter Foster’s bestselling Color Mixing Recipes books, including Color Mixing Recipes for Oil and Acrylic, Color Mixing Recipes for Portraits, Color Mixing Recipes for Watercolor, and the most recent addition, Color Mixing Recipes for Landscapes.R190.00 inc. VAT
Each chapter of this inventive consideration of American culture evokes an actual meeting between American writers and artists.R300.00 inc. VAT
A Decade of American Contemporary Prints: 1999-2009 provides an overview of a unique roaming survey exhibition of print projects published by The LeRoy Neiman Center for Print Studies at Columbia University over a 10-year period.R600.00 inc. VAT
A Labour of Love offers a new look at contemporary South African Art in the 1980s. This publication contains, alongside recently discovered works by young South African artists, new essays by international art specialists, interviews with artists, previously unpublished archival material, and more than 300 illustrations of artworks.R300.00 inc. VAT
Cuban-born Abelardo Morell (b.1948) began photographing his domestic environment after the birth of his son in 1986. Considering the world from a child’s point of view, he photographed household objects from surprising perspectives to produce unfamiliar and disconcerting results that challenge the viewer’s perception of reality.R170.00 inc. VAT
The most important art movement since the Second World War, Abstract Expressionism revolutionized the way Americans viewed art and culture alike. Drawing on a vast array of scholarly research, David Anfam examines the politically radical spirit of a nucleus of artists who transgressed the traditional forms of American art and faced the tensions of a modernizing society.R320.00 inc. VAT
In this comprehensive book, published to coincide with a groundbreaking Tate exhibition, leading scholars examine how “the Black Atlantic,” a key concept in post-colonial studies coined by British academic Paul Gilroy in 1993, applies to art, and in doing so confirms the centrality of artists of African descent to the formation of modernity.R260.00 inc. VAT
Lavishly illustrated and meticulously researched, Afropolis is the product of an exhibition developed by the Rautenstrauch-Joest-Museum in Cologne, Germany. The book focuses on the Big Five of African cities: Cairo, Lagos, Nairobi, Kinshasa and Johannesburg, and brings together positions of artistic and cultural studies, as well as detailed histories and the specific dynamics of these African cities, in order to expand our understanding of the concept of urbanity and the phenomenon of the City from an African perspective.R500.00 inc. VAT
This book examines the rise of women artists in the late 20th centuryR530.00 inc. VAT
Akademie X: Lessons in Art + Life brings together a faculty of artists and writers from across the globe, including high profile art educators, such as Marina Abramovic, Carol Bove, Mark Dion, Olafur Eliasson, Dan Graham, Joan Jonas, Miranda July, Bob Nickas, Raqs Media Collective, Neo Rauch, John Stezaker, Richard Wentworth and Christopher Williams.R320.00 inc. VAT
The first comprehensive retrospective exhibition of works by Albert AdamsÂ ran at Iziko Museum. Albert Adams was born in Johannesburg in 1930 but at the age of four came to Cape Town with his mother and sister. He attended Livingstone High School and studied at Hewat College in Cape Town. Unable to study at the Michaelis School of Art, University of Cape Town, because of the apartheid policies, he applied for, and was awarded a scholarship to study at the Slade School of Art in London where he studied from 1953 to 1956. He enrolled for a brief course of study at the Munich Academy of Arts and later in 1957 attended master classes under the internationally renowned artist, Oskar Kokoschka.
He returned to Cape Town where he exhibited widely but in 1960 decided to leave South Africa for good and settled in London. He taught for a while at schools in the East End of London and in 1979 was appointed to the staff of the City University, London where he lectured in art history for 18 years. Towards the end of 2006 Adams was diagnosed with lung cancer and after a brief stay in hospital passed away on 31 December 2006.
An instinctive expressionist Adamsâ€™ subject matter is evidence of a deep social commitment and he can rightly be seen as an heir to Francisco Goya (1740 â€“ 1828). Often his subject matter is inspired by international events but he alwaysÂ returned to South Africa for inspiration, depicting, amongst others, the homeless people of Cape Town, the darker side of the Cape Minstrels and in a more allusive way the â€˜baggageâ€™ or legacy of apartheid.
Although Adams exhibited extensively and, on more than one occasion was chosen to represent South Africa on international exhibitions, his long period of absence from South Africa has resulted in the undue neglect of a major talent.
This retrospective exhibition will result in Albert Adams being recognized and established as a major South African artist.R350.00 inc. VAT
In the course of his forty-year career, major South African artist Alexis Preller achieved national recognition and critical acclaim. Loyal admirers flocked to every exhibition by the master colourist. Yet, there were also those who were disturbed by his frequently cryptic themes and who denounced his distinctly independent and often enigmatic work.R550.00 inc. VAT
This beautifully illustrated book presents a new account of one of the most distinctive, long-lasting and fascinating chapters of modern British art: how artists have used painting to record their personal, sensuous, immediate and often intense experiences of life. Spanning a century, this history encompasses a diverse but related group of painters, mostly based in London, who focused on the depiction of the human figure and the everyday landscape they inhabited.Have no product in the cart!