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This publication is devoted to William Kentridge’s (born 1955) multimedia cycle “The Nose” (based on Gogol’s short story of the same name), comprised of the video installation “I Am Not Me, the Horse Is Not Mine,” in addition to sculptures, tapestries and works on paper. Kentridge describes this cycle as an elegy for the artistic language of the Russian Constructivists.
William Kentridge: Thick Time undertakes an overview of the artist’s recent works, focusing on a sequence of five key pieces dating from 2003 to 2015. These encompass three immersive audiovisual installations, including The Refusal of Time, selected works on paper, and ideas for theatre and opera design.Sale!
The book, entitled William Kentridge Flute, will trace the process of Kentridge’s creation of The Magic Flute, his astounding collaborations that produced Black Box, and the host of other works that flowed out of preparations for these two important productions.Sale!
In 2005, William Kentridge’s production of The Magic Flute premiered at La Monnaie in Brussels. It went on to venues in France, Italy, Israel and the United States to critical acclaim. In September 2007 it opened in Cape Town and Johannesburg.R285.00 inc. VAT
The publication I Am Not Me, The Horse Is Not Mine (a Russian peasant expression used to deny guilt) is published by the Goodman Gallery, and contains a series of essays lecture notes, lecture extracts and commentary by William Kentridge on the eight films and performance event that was first presented to international acclaim at the Sydney Biennale, 2008.R280.00 inc. VAT
David Krut Publishing is delighted to announce the publication of William Kentridge Nose. This book accompanies the launch of a suite of thirty new limited-edition prints by Kentridge called ‘Nose’, the culmination of a four-year collaboration between the artist and David Krut Print Workshop.Have no product in the cart!