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The catalogue, “Be Careful In The Working Radius, was printed alongside the namesake exhibition. This exhibition is the culmination of the most recent work Stephen Hobbs has been making at DKW.
Early in his career, Stephen Hobbs recognised the need to develop his practice across the disciplines of artistic production, curatorial practice and cultural management. Through committed urban investigation and experimentation, focused primarily on Johannesburg since 1994, he has sustained a dialogue with urban space through video, installation, curated projects, photography and sculpture.R120.00 inc. VAT
For the Second DVD in the TAXI Art Films series, director Revel Fox gathered extraordinary footage of some of the artists included in Spier Contemporary 2007. This Curated exhibition, organized by the Africa Centre, was held in a temporary structure built out of shipping containers at the Spier Wine Estate in Stellenbosch, Western Cape, South Africa. The cutting-edge exhibition represented a wide range of South African artists working in a variety of media.R120.00 inc. VAT
For part-two of the Second DVD in the TAXI Art Films series, director Revel Fox gathered extraordinary footage of some of the artists included in Spier Contemporary 2007. This Curated exhibition, organized by the Africa Centre, was held in a temporary structure built out of shipping containers at the Spier Wine Estate in Stellenbosch, Western Cape, South Africa. The cutting-edge exhibition represented a wide range of South African artists working in a variety of media.R120.00 inc. VAT
In this fascinating conversation with David Krut, Austrian artist Friedrich Danielies discusses his ideas on art, human creativity and aspects of South African art and culture.R50.00 inc. VAT
David Koloane was born in 1938 in Alexandra Township, Johannesburg. He studied art at the Bill Ainslie Studios in Johannesburg and later completed a Diploma in Museum Studies at the University of London. Koloane established a reputation, both locally and internationally, as a pioneer black artist in apartheid South Africa and was the founding member of institutions promoting and supporting black talent in South Africa from the mid-1970s.R50.00 inc. VAT
Deborah Bell is a leading Johannesburg painter and sculptor and whose work is created in dialogue with multiple worlds, texts, histories and consciousnesses. She is also widely known for her collaborative projects with William Kentridge and Robert Hodgins. Bell’s drawings, etchings and monumental clay sculptures possess a kind of mystical godliness which comes from deep within her.R50.00 inc. VAT
This Educational Supplement is published together with TAXI 013 Diane Victor. The importance of Diane Victor’s impressive body of drawings and prints lies not simply in its biting social commentary and the sometimes macabre quality of her images, but also in the interplay between the tough and the fragile in her work, between the subject matter of her visual narratives and the delicate mark-making and fragility of her preferred media.R50.00 inc. VAT
Kagiso Pat Mautloa was born in 1952 in Ventersdorp. While still at school he attended classes at the Jubilee Art Centre in Johannesburg, then at Mofolo Art Centre in Soweto. He has worked as a full-time artist since 1993, and now has a studio at the Bag Factory in Johannesburg, where a number of other well-known artists work.R50.00 inc. VAT
Noria Muelelwa Mabasa was born in 1938 in Xigalo, a village in Limpopo Province, north of Johannesburg. She is a sculptor of large woodcarvings and figurative ceramic work who first came to prominence in the urban art scene in the mid 1980s.R50.00 inc. VAT
Paul Stopforth produced several bodies of work that were startling in their courageous engagement with the repressive society in which he lived. The importance of Stopforth’s work is that he is an acute observer of the minutiae of everyday life and keenly attuned to the significance of ordinary objects, which he imbues with dignity and careful metaphorical significance.R50.00 inc. VAT
Samson Mudzunga was born in 1938 in Shanzha, Dopeni, in the Nzhelele district of the former Venda “homeland”. Although Mudzunga began playing with clay as a child, it wasn’t until much later in life that he became a self-sustaining artist, acclaimed for his performance events and for his extraordinary wood carvings, particularly his enormous “coffin drums”.R50.00 inc. VAT Add to cartHave no product in the cart!